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Review of Tyger Tyger (2021)

By Jluis_001 (2,242) on 11 Mar 2021

Tyger Tyger described itself as a fantasy-thriller, and perhaps it was so in the imagination of its creators…

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Review of See You Yesterday (2019)

By Jluis_001 (2,242) on 11 Mar 2021

It's like Dope but with time travel. I like that. And it has Michael J. Fox…

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Review of The Quake (2018)

By Jluis_001 (2,242) on 11 Mar 2021

I was completely unaware that the Norwegian disaster movie The Wave, had a sequel…

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Review of Red Dot (2021)

By Jluis_001 (2,242) on 11 Mar 2021

It takes half an hour to carbure…

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Review of Raya and the Last Dragon (2021)

By Jluis_001 (2,242) on 11 Mar 2021

It will not be a Disney classic, far from it, but it has the magic of what Disney knows how to do very well…

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Review of Space Sweepers (2021)

By Jluis_001 (2,242) on 11 Mar 2021

It over-extends its stay, but Space Sweepers was an impressively ambitious sci-fi film…

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Review of Quo Vadis, Aida? (2021)

By A.o. Scott (2,100) for The New York Times (9,847) on 11 Mar 2021

The rigorous honesty of Quo Vadis, Aida…

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Review of Cherry (2021)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 11 Mar 2021

This would be tough material for anyone to tackle, and the Russos take aesthetic chances that — while admirably bold — flop more often…

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Review of Cosmic Sin (2021)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 11 Mar 2021

It’s clichéd, falling back on the old pulp premise of the culturally diverse “ragtag team” of tough guys and gals, barking out clumsily…

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Review of Long Weekend (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 11 Mar 2021

Clever enough to not take his plot too seriously while fully indulging in its sentimentality, the filmmaker has crafted an undeniably feel-good…

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Review of Honeydew (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 11 Mar 2021

Food — its preparation, consumption and just what the hell its ingredients are — figures in a minimal plot that the filmmakers inflate…

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Review of Wheel of Fortune and Fantasy (2021)

By Peter Debruge (1,557) for Variety (12,700) on 11 Mar 2021

Each of these episodes is well acted, follows a reasonably conventional three-act structure and emphasizes interesting female characters in…

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Review of Own the Room (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 11 Mar 2021

The world may be divided into “developed,” “developing” and “under-developed,” but the young people here seem to pay no attention…

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Review of Operation Varsity Blues: The College Admissions Scandal (2021)

By Alonso Duralde (1,351) for TheWrap (3,203) on 11 Mar 2021

Even with the re-enactments, this is a pretty straightforward documentary…

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Review of Long Weekend (2021)

By Alonso Duralde (1,351) for TheWrap (3,203) on 11 Mar 2021

If you ever wondered what Richard Linklater’s “Before” trilogy would be like without the insightful writing, sharp directing and intuitive…

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Review of Operation Varsity Blues: The College Admissions Scandal (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 11 Mar 2021

The best nuggets come from the interviews, as when a lawyer remarks that when it comes to white-collar criminals, they historically have no…

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Review of Long Weekend (2021)

By Katie Walsh (1,279) for Chicago Tribune (6,211) on 11 Mar 2021

While the sentiments feel authentic, the ludicrous plot, filled with holes, doesn’t do the emotional aspects of the story any service…

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Review of Long Weekend (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Mar 2021

Wittrock and Chao are both enormously likeable in their roles, even if Basilone’s derivative script often dilutes the organic chemistry between…

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Review of Still Life in Lodz (2021)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 11 Mar 2021

Grünberg effectively incorporates archival photos and footage, drawings, and lyrical, illustrative bits of animation into this brief but rich…

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Review of The Inheritance (2020)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 11 Mar 2021

It stands solidly on its own as a dynamic inquiry into revolutionary culture and Black identity, not to mention the challenge of living with…

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