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Review of Onward (2020)

By Thequietgamer (1,082) on 20 Mar 2021

While not good enough to reach the upper echelon of the Pixar pantheon, Onward is better than it perhaps may have seemed at first glance…

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Review of Women Is Losers (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 20 Mar 2021

Feliciano's mix of social commentary and old-school melodrama can be sharp, but it can also be distractingly on-the-button…

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Review of Tom Petty, Somewhere You Feel Free (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 20 Mar 2021

Somewhere You Feel Free is a love letter to Petty, but also to that most mysterious of alchemies, the chemistry of a rock 'n' roll band…

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Review of Violet (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 20 Mar 2021

The story itself finally feels lost beneath the levels of artifice rather than heightened by it…

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Review of The Fallout (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 20 Mar 2021

Mainly Park lets her actors interact, their humor deadpan, their pain unfathomable, their hormones surging and their flirtations halting…

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Review of The Driller Killer (1979)

By Alejandro970 (859) on 20 Mar 2021

Underground horror cinema, like the characteristic one from the 70's…

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Review of Terminator Genisys (2015)

By Filipeneto (856) on 20 Mar 2021

I have been watching the Terminator franchise for a few days, and I have come to the obvious conclusion that their quality has decreased dramatically,…

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Review of Women Is Losers (2021)

By Kate Erbland (681) for IndieWire (3,631) on 20 Mar 2021

Women Is Losers is an infectious and auspicious debut…

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Review of Violet (2021)

By Kate Erbland (681) for IndieWire (3,631) on 20 Mar 2021

While Bateman’s more florid touches sometimes wear, Munn is so devastatingly good at selling Violet’s internal strife that it’s easy…

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Review of The Fallout (2021)

By Kate Erbland (681) for IndieWire (3,631) on 20 Mar 2021

While The Fallout allows for lightness to occasionally emerge, the film never forgets the experience at its center, one that can never be fully…

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Review of Women Is Losers (2021)

By Tomris Laffly (460) for Variety (12,700) on 20 Mar 2021

It’s a rewarding experience to watch Izzo thread a tricky line with ease here, emitting both a child-like innocence and gradual steeliness…

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Review of Violet (2021)

By Kristy Puchko (422) for The Playlist (3,871) on 20 Mar 2021

In the end, Violet feels less like a film than a pitch meeting…

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Review of Judas and the Black Messiah (2021)

By Bertobellamy (400) on 20 Mar 2021

Daniel Kaluuya gives the best performance of his career…

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Review of Tom Petty, Somewhere You Feel Free (2021)

By Rodrigo Perez (382) for The Playlist (3,871) on 20 Mar 2021

Somewhere You Feel Free certainly captures the spirit of the time, the sadness, the warm-heartedness, and the creative openness, but one could…

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Review of The Last Cruise (2021)

By John Fink (368) for The Film Stage (3,162) on 20 Mar 2021

What we do have is a vital and horrifying record of a crisis that we should have quickly learned from, that captures the moment with the immediacy…

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Review of Violet (2021)

By John Fink (368) for The Film Stage (3,162) on 20 Mar 2021

Demystifying the backroom deals of film financing, Bateman has crafted an authentic-looking and -feeling commentary on show business designed…

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Review of Austin Powers: The Spy Who Shagged Me (1999)

By Kai82 (336) on 20 Mar 2021

The second Austin Powers movie…

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Review of Lily Topples The World (2021)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 20 Mar 2021

There's a richer documentary to be made, one you might crave even more after 90 minutes of being inspired and impressed by Lily Hevesh…

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Review of Tom Petty, Somewhere You Feel Free (2021)

By Clint Worthington (295) for Consequence (296) on 20 Mar 2021

Somewhere You Feel Free is a beautiful musical tribute to one of rock’s greatest figures, gone all too soon…

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Review of Long Weekend (2021)

By Vince Mancini (256) for Uproxx (697) on 20 Mar 2021

It’s incredibly difficult to pull off, this delicate dance between grounded enough but not mundane, yet Long Weekend, the unlikeliest of…

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