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Review of Monday (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 15 Apr 2021

While Monday is not quite as bracing as Papadimitropoulos’s prior feature, “Suntan,” it’s a sharply observed, well-acted picture with…

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Review of The Banishing (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 15 Apr 2021

Despite a few strong production values and performances, Smith’s film simply crosses the lane into incoherency and not the surreal David…

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Review of The Father (2020)

By Tim Robey (1,578) for The Telegraph (1,120) on 15 Apr 2021

Childlike vulnerability hasn’t been something Hopkins has opened up to show us in a long, long while, but he seems ready for this role, hungry…

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Review of Love and Monsters (2020)

By Tim Robey (1,578) for The Telegraph (1,120) on 15 Apr 2021

Love and Monsters is mercifully zombie-free, while serving up a refreshingly different vibe from the word go…

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Review of The Reckoning (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 15 Apr 2021

Despite a spirited score and a few other redeeming features, The Reckoning is too clumsy, overlong and generally miscalculated to add up to…

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Review of Love and Monsters (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 15 Apr 2021

Love and Monsters is mercifully zombie-free, while serving up a refreshingly different vibe from the word go…

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Review of Our Towns (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 15 Apr 2021

Joy may not be sweeping the nation portrayed in Our Towns, exactly. But a certain amount of happiness abounds…

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Review of Vanquish (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 15 Apr 2021

Mayhem is the point. And on that, at least, the movie certainly delivers…

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Review of Monday (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 15 Apr 2021

All in all, Mr…

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Review of Monday (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 15 Apr 2021

All in all, Mr…

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Review of Monday (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 15 Apr 2021

All in all, Mr…

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Review of Monday (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 15 Apr 2021

This honest examination of a passionate, disastrous, adult relationship, might feel like a warning itself…

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Review of We Broke Up (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 15 Apr 2021

While We Broke Up is focused, lean and heartfelt, it does feel at times a bit insubstantial…

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Review of Monday (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 15 Apr 2021

This honest examination of a passionate, disastrous, adult relationship, might feel like a warning itself…

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Review of Monday (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 15 Apr 2021

This honest examination of a passionate, disastrous, adult relationship, might feel like a warning itself…

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Review of In the Earth (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 15 Apr 2021

Wheatley’s film works on a purely elemental level; like nature itself, the film is a sensory event, the narrative often subsumed by the aural…

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Review of Vanquish (2021)

By Dennis Harvey (1,137) for Variety (12,700) on 15 Apr 2021

Vanquish isn’t bad so much as inert — nothing here is convincing, tense, kinetic, outrageous, or silly enough to give the movie even fleeting…

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Review of Bill Traylor: Chasing Ghosts (2021)

By Michael Rechtshaffen (1,086) for Los Angeles Times (12,977) on 15 Apr 2021

If every picture tells a story, the body of work displayed in the hauntingly intriguing documentary “Bill Traylor: Chasing Ghosts” speaks…

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Review of Submerged (2016)

By Matt Donato (975) for We Got This Covered (2,391) on 15 Apr 2021

Submerged is a whole mess of tension primed to leave viewers in an anxiety-induced pile of helplessness, which means it does its job pretty damn well…

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Review of Naked Singularity (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 15 Apr 2021

The brisk pacing and capable cast still can't quite mask a certain routine feel in a movie without much heart…

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