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Review of The Banishing (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 16 Apr 2021

The story’s dawdling pace works against it, and attempts at injecting urgency into the third act seem too chatty and explanatory for suspense…

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Review of Monday (2021)

By Peter Travers (3,602) for ABC (67) on 16 Apr 2021

Sebastian Stan, the Winter Soldier himself, shows he can turn up the heat with costar Denise Gough for a romcom romp in Greece that starts…

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Review of Monday (2021)

By Peter Travers (3,602) for ABC News (186) on 16 Apr 2021

Sebastian Stan, the Winter Soldier himself, shows he can turn up the heat with costar Denise Gough for a romcom romp in Greece that starts…

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Review of Monday (2021)

By Peter Travers (3,602) for ABC News (186) on 16 Apr 2021

Sebastian Stan, the Winter Soldier himself, shows he can turn up the heat with costar Denise Gough for a romcom romp in Greece that starts…

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Review of The Courier (2020)

By Stephanie Zacharek (2,333) for Time (1,811) on 16 Apr 2021

The Courier is almost two films in one: the second half is much darker and more intense than the first, but the shift is so delicately abrupt…

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Review of Trigger Point (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 16 Apr 2021

As is customary for many hack films, the writer or producer or whoever it was that nailed down the title Trigger Point for this cinematic bag…

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Review of Thunder Force (2021)

By Dan_B (1,694) on 16 Apr 2021

(Español / English) Una película que parece decidirse más por la comedia sentimental que por la parodia y sale perdiendo…

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Review of Monday (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 16 Apr 2021

Despite the dazzling, sun-soaked scenery, the long nights of partying and the sight of these attractive actors stripping themselves bare—physically…

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Review of Monday (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 16 Apr 2021

Despite the dazzling, sun-soaked scenery, the long nights of partying and the sight of these attractive actors stripping themselves bare—physically…

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Review of Monday (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 16 Apr 2021

Despite the dazzling, sun-soaked scenery, the long nights of partying and the sight of these attractive actors stripping themselves bare—physically…

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Review of Vanquish (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 16 Apr 2021

Although Vanquish is otherwise as forgettable as can be—that may be the closest thing that it has to a virtue—there's still one thing about…

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Review of Monday (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 16 Apr 2021

Eventually, despite a number of Dionysian interludes, not least a drug-driven scooter ride with neither helmets nor clothes, this on-off emotional…

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Review of Voyagers (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 16 Apr 2021

Most of Burger’s film, in truth, is either numb or dumb…

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Review of Monday (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 16 Apr 2021

Eventually, despite a number of Dionysian interludes, not least a drug-driven scooter ride with neither helmets nor clothes, this on-off emotional…

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Review of Monday (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 16 Apr 2021

Eventually, despite a number of Dionysian interludes, not least a drug-driven scooter ride with neither helmets nor clothes, this on-off emotional…

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Review of Promising Young Woman (2020)

By Donald Clarke (1,051) for The Irish Times (483) on 16 Apr 2021

Promising Young Woman nonetheless remains an entertaining, imaginative exercise in creative score-settling…

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Review of Monday (2021)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 16 Apr 2021

If Monday succeeds as a compelling drama — and, for all the clichés of its story, it does mostly succeed — it’s because Papadimitropoulos…

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Review of Monday (2021)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 16 Apr 2021

If Monday succeeds as a compelling drama — and, for all the clichés of its story, it does mostly succeed — it’s because Papadimitropoulos…

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Review of Monday (2021)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 16 Apr 2021

If Monday succeeds as a compelling drama — and, for all the clichés of its story, it does mostly succeed — it’s because Papadimitropoulos…

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Review of Arlo the Alligator Boy (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 16 Apr 2021

Long before the motley crew crashes the Met Gala, it’s clear that director Ryan Crego is bolting wacky gee-gaws onto a rote plot…

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