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Review of Things Heard & Seen (2021)

By A.o. Scott (2,100) for The New York Times (9,847) on 29 Apr 2021

Rather than interweaving domestic drama, supernatural mumbo-jumbo and campus naughtiness, Pulcini and Berman lurch from one scene to the next,…

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Review of The Outside Story (2021)

By Marc Savlov (2,019) for Austin Chronicle (7,653) on 29 Apr 2021

It’s a slight film, really a seriocomic tone poem about the absurdities and obstacles we can create for ourselves even when our intentions…

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Review of Things Heard & Seen (2021)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 29 Apr 2021

While the cast is great, the milieu is vivid, the images are polished and the atmosphere is effectively moody, Things Heard & Seen fails to…

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Review of Limbo (2020)

By Glenn Kenny (1,728) for The New York Times (9,847) on 29 Apr 2021

Limbo, written and directed by a ferociously talented filmmaker, Ben Sharrock, takes an insinuating, poetic and often wryly funny approach…

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Review of The Virtuoso (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 29 Apr 2021

It’s not just the title character who fails to thrive. The filmmaking is on occasion, to put it kindly, fractured…

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Review of Cliff Walkers (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 29 Apr 2021

The numerous action set pieces would be memorable even if the plot points didn’t eventually fall into place, which they do…

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Review of Limbo (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 29 Apr 2021

Limbo, written and directed by a ferociously talented filmmaker, Ben Sharrock, takes an insinuating, poetic and often wryly funny approach…

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Review of Limbo (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 29 Apr 2021

Limbo, written and directed by a ferociously talented filmmaker, Ben Sharrock, takes an insinuating, poetic and often wryly funny approach…

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Review of Lucy the Human Chimp (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 29 Apr 2021

By turns alarming and poignant, Alex Parkinson’s infuriatingly deferential film recounts how Carter — passionately attached to Lucy and…

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Review of Things Heard & Seen (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 29 Apr 2021

There is a bit of gore toward the end of Things Heard & Seen that seems gratuitous, like a bone thrown to the genre audience…

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Review of Lucy the Human Chimp (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 29 Apr 2021

Lucy the Human Chimp is a creative assemblage of sundry parts: The archival footage, of which there is a wealth; the news coverage given Lucy…

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Review of Four Good Days (2021)

By Katie Walsh (1,279) for Chicago Tribune (6,211) on 29 Apr 2021

Four Good Days is a portrait of addiction that wants to dive into the ugliest parts: the detox, the physical deterioration, the flop houses,…

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Review of Sisters with Transistors (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 29 Apr 2021

The film is a vital historical corrective, inscribing the names of these women into history as the innovators, independent thinkers and trailblazers…

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Review of Things Heard & Seen (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 29 Apr 2021

Things Heard & Seen is partly a Gothic horror movie and partly a portrait of a marriage falling apart…

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Review of Things Heard & Seen (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 29 Apr 2021

Berman and Pulcini’s movie feels as if it’s more haunted by unrealized potential than anything else…

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Review of Tom Clancy's Without Remorse (2021)

By Brian Lowry (913) for CNN (497) on 29 Apr 2021

Whatever the intricacies in Clancy's book, they're largely abandoned in a violent revenge tale that a few decades ago might have starred someone…

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Review of Things Heard & Seen (2021)

By David Fear (910) for Rolling Stone (4,035) on 29 Apr 2021

You applaud Seyfried for doing so much of the heavy lifting, and for once again proving that a close-up of someone looking unnerved is worth…

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Review of Things Heard & Seen (2021)

By Chris Barsanti (896) for Slant Magazine (8,298) on 29 Apr 2021

Ultimately, the film’s most impactful terrors have nothing to do with things that go bump in the night…

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Review of The Guilty (2018)

By Broyax (884) on 29 Apr 2021

A la manière d’un certain Searching qui se déroulait entièrement à partir d’un ordinateur, The Guilty se passe intégralement à partir…

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Review of Cliff Walkers (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 29 Apr 2021

The seasoned director does a good job mixing in some kinetic action too, whether a high-speed car chase or multiple instances of one person…

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