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Review of Cliff Walkers (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 30 Apr 2021

In many ways, Zhang’s latest is the coldest film that he’s made in a while, though it might also be his most alluring…

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Review of The Outside Story (2021)

By Kate Erbland (681) for IndieWire (3,631) on 30 Apr 2021

It’s charming enough, although flashes of flinty humor hint at something edgier underneath…

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Review of Malcolm & Marie (2021)

By Panchogul (602) on 30 Apr 2021

Buena cinematografía, buenas actuaciones, historia aburrida y sin encanto…

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Review of Green Book (2018)

By Panchogul (602) on 30 Apr 2021

No me lo esperaba, pero Green Book me sorprendió mas de lo que pude imaginar ya que cuando vi que había ganado el galardón a Mejor Película…

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Review of The Artist's Wife (2020)

By Cath Clarke (570) for The Guardian (2,969) on 30 Apr 2021

Brilliantly acted but never entirely credible and not quite the force for feminism it wants to be…

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Review of The Father (2020)

By Jason Gorber (520) for Slashfilm (971) on 30 Apr 2021

This bleak and profound meditation on diminishing faculties results in a shattering work of cinema…

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Review of Truman & Tennessee: An Intimate Conversation (2021)

By Ian Freer (515) for Empire (3,446) on 30 Apr 2021

Truman & Tennessee: An Intimate Portrait’s staid approach doesn’t always cohere into a gripping yarn but it is detailed, boasts a real…

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Review of Limbo (2020)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 30 Apr 2021

But with his sophomore feature Limbo, a humanistic, tenderly deadpan plunge into the psyche of a Syrian refugee, Scottish writer/director Ben…

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Review of Limbo (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 30 Apr 2021

But with his sophomore feature Limbo, a humanistic, tenderly deadpan plunge into the psyche of a Syrian refugee, Scottish writer/director Ben…

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Review of Limbo (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 30 Apr 2021

But with his sophomore feature Limbo, a humanistic, tenderly deadpan plunge into the psyche of a Syrian refugee, Scottish writer/director Ben…

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Review of The Outside Story (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 30 Apr 2021

The Outside Story is barely 85 minutes long, but Henry's performance is rich enough to make this small film feel rather epic…

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Review of The Mitchells vs. the Machines (2021)

By Metacriticonur (388) on 30 Apr 2021

Perfect [ adjective, noun pur-fikt; verb per-fekt ] adjective conforming absolutely to the description or definition of an ideal type: a perfect…

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Review of Cliff Walkers (2021)

By Michael Ordona (350) for Los Angeles Times (12,977) on 30 Apr 2021

The story moves crisply, though with all the twists and the lack of introductions to the main players, it’s not easy to follow at first…

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Review of The Father (2020)

By Kate Taylor (347) for The Globe and Mail (Toronto) (4,018) on 30 Apr 2021

Yes, The Father is a familiar story and a universal one…

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Review of The Outside Story (2021)

By Robert Daniels (336) for The Playlist (3,871) on 30 Apr 2021

Though the delightful ensemble allows this slight comedy to bob along, it’s Henry who steers this ship into gentle waters…

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Review of Tom Clancy's Without Remorse (2021)

By Robert Daniels (336) for Polygon (677) on 30 Apr 2021

While Sollima tries to rekindle Clancy’s 1990s magic, Without Remorse is rendered as unmemorable schlock due to his inability to map the…

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Review of The Mitchells vs. the Machines (2021)

By Robert Daniels (336) for Los Angeles Times (12,977) on 30 Apr 2021

With a colorful blend of biting absurdity and copious dad jokes to offset the commonplace narrative, Rianda and Rowe optimize their dysfunctional…

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Review of Boys from County Hell (2021)

By Kevin Jagernauth (311) for The Playlist (3,871) on 30 Apr 2021

There’s a more rewarding film in here had The Boys From County Hell pushed the humor a bit further, and pitched the scares a touch higher…

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Review of Limbo (2020)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 30 Apr 2021

An offbeat and life-affirming triumph, “Limbo” is the kind of original work of art that moves the needle on an issue by interrogating the…

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Review of Limbo (2021)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 30 Apr 2021

An offbeat and life-affirming triumph, “Limbo” is the kind of original work of art that moves the needle on an issue by interrogating the…

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