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Review of Cleopatra (1963)

By Trev568 (3) on 19 May 2021

Gal Gadot will be waaaaaaaaayyyyyyyyy mucccchhhh bettttter Cleopatra than Elizabeth…

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Review of Space Sweepers (2021)

By Dazaisan20 (1) on 19 May 2021

This was one of the best space movies I ever seen, I saw the crit, I thought it will be bad, and like american movies and etc, but it wasn't…

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Review of Together Together (2021)

By Ericesoteric (1) on 19 May 2021

Another movie with a **** non-ending…

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Review of Those Who Wish Me Dead (2021)

By Tmoneytree (1) on 19 May 2021

It was really good until the end bad writing great acting.... not worth the money it felt rushed and they just put ms Angelina Jolie for sales…

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Review of Final Account (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 18 May 2021

If Final Account has a shortcoming, it’s that few moments stick out as most chilling of all…

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Review of Drunk Bus (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 18 May 2021

The laughs in Drunk Bus may come in familiar places, but there’s a genuine effort to flip the script just enough to avoid the standard traps…

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Review of The Dry (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 18 May 2021

Aussie director Robert Connolly (“The Bank”) takes his time with this material, slowly building up characters, layer by layer…

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Review of Seance (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 18 May 2021

There’s a generous sampling of horror “mystery” cliches in this script, plenty of this or that death/disappearance “doesn’t make…

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Review of Peter Rabbit 2: The Runaway (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 18 May 2021

It can sometimes be cute or zany and briefly send itself up, but there is fundamentally something pretty straight in its DNA…

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Review of A Quiet Place Part II (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 18 May 2021

The dual storylines are wrapped up together ingeniously with images and ideas slyly implanted at the very beginning…

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Review of Final Account (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 18 May 2021

In the end, the power of Final Account resides in the way it shows how human nature reacts to lies, propaganda and state-sanctioned atrocity…

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Review of F9 (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 18 May 2021

Considering that F9 is Lin’s fifth “F and F” film and his first one in eight years, it goes through the motions with more energy than…

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Review of Profile (2018)

By Tvjerry (1,783) on 18 May 2021

Russian director Timur Bekmambetov launched an impressive career with his vampire films Night Watch and Day Watch…

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Review of Final Account (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 18 May 2021

Final Account aims to provide insight into the psychological mechanism that would allow otherwise good people to stand idly by (or actively…

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Review of A Quiet Place Part II (2021)

By Peter Debruge (1,557) for Variety (12,700) on 18 May 2021

It can be hard to believe that both the sequel and the instant-classic 2018 original were produced by Michael Bay, a filmmaker who has pushed…

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Review of A Quiet Place Part II (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 18 May 2021

The relentless tension and close-quarters intimacy that [Krasinski] established in the first film can’t help but slacken under the weight…

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Review of F9 (2021)

By Tim Grierson (1,482) for Screen Daily (1,021) on 18 May 2021

Gloriously ludicrous and stridently melodramatic, F9 is fuelled by its own goofy energy, delivering comically grandiose chase sequences and…

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Review of A Quiet Place Part II (2021)

By Tim Grierson (1,482) for Screen Daily (1,021) on 18 May 2021

A Quiet Place Part II proves to be an even fiercer and more emotional experience than the first instalment…

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Review of F9 (2021)

By Alonso Duralde (1,351) for TheWrap (3,203) on 18 May 2021

For audiences who want their 2021 return to the multiplex to deliver big, loud, exciting action, F9 makes the cars go fast, jump high, and…

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Review of F9 (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 18 May 2021

In F9’s would-be showstoppers, the thrills are mostly AWOL or the feats are simply too idiotic to embrace, even guiltily…

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