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Review of Rare Beasts (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 20 May 2021

Rare Beasts is a bold experiment in nerve-jangling confrontation: it has the structure and ingredients of romantic comedy but turns everything…

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Review of Dream Horse (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 20 May 2021

The new film, playing in theaters, devotes itself more obviously to making us feel good, but it succeeds…

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Review of The Dry (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 20 May 2021

Watching the film is such an intense experience that most of its flaws fall away and its red herrings serve only to enhance the local color…

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Review of A Quiet Place Part II (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 20 May 2021

On the surface, A Quiet Place Part II is another expertly crafted and well-acted monster movie, much like its predecessor…

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Review of Dream Horse (2021)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 20 May 2021

Euros Lyn’s heartwarming Dream Horse doesn’t rewrite the genre, but it’s feel-good filmmaking of the sort many may be inclined to seek…

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Review of The Dry (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 20 May 2021

The familiarity is part of what makes The Dry tick along so nicely; it reminds you of other good movies even as you enjoy its own special flavor…

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Review of Finding You (2021)

By Tvjerry (1,783) on 20 May 2021

A violinist (Rose Reid) meets a movie heartthrob (Jedidiah Goodacre) on a flight to an Irish coastal village for a semester abroad…

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Review of Dream Horse (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 20 May 2021

This sports underdog story, which is based on true events, has several features endemic to the genre…

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Review of Drunk Bus (2021)

By Liam Lacey (1,725) for Original-Cin (1,156) on 20 May 2021

Drunk Bus has some pros and cons. At its best, it evokes the freewheeling style and emotional pangs of Greg Mottola’s 2009 film, Adventureland…

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Review of The Secrets We Keep (2020)

By Robbie Collin (1,612) for The Telegraph (1,120) on 20 May 2021

What sense there is of big ideas being thoughtfully chewed over stems largely from Rapace’s steely, wounded central performance, which often…

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Review of Rare Beasts (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 20 May 2021

The trouble is, Rare Beasts lacks the razor wit, merciless candour and stylistic panache of Fleabag and I May Destroy You – not to mention…

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Review of The Human Voice (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 20 May 2021

This is his and Swinton’s first film together: in fact, it is the Spanish master’s first English-language production…

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Review of The Human Voice (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 20 May 2021

This is his and Swinton’s first film together: in fact, it is the Spanish master’s first English-language production…

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Review of Peter Rabbit 2: The Runaway (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 20 May 2021

The film’s a little wobbly on actual charm; stronger on smarm, in-jokes and Bond-riffing action pastiche…

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Review of The Woman in the Window (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 20 May 2021

There’s bad fun to be had in the final stretch – if you go in fully aware that the production flew off the rails…

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Review of Spiral: From the Book of Saw (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 20 May 2021

If the original films owed a blatant debt to David Fincher’s Se7en, this one remortgages from the same lender…

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Review of Army of the Dead (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 20 May 2021

With its sticky pacing and divinely unsubtle soundtrack (though The Cranberries’ “Zombie” is always excusable), Army of the Dead is an…

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Review of A Quiet Place Part II (2021)

By Rex Reed (1,506) for Observer (1,042) on 20 May 2021

With no solution to the horrors it introduces, it’s a screamfest that seems rather pointless, too, but somewhat redeemed by a few genuine…

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Review of Spring Blossom (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 20 May 2021

Lindon’s youth is remarkable, because her point of view on the experience of the teenage girl is so immediate…

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Review of North Hollywood (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 20 May 2021

Half-sketched as its drama can be, Alfred’s feature-length fiction debut is sustained by a complete lack of poser energy and a few new tweaks…

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