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Review of Nomadland (2021)

By Psyfungi (1) on 27 May 2021

It almost makes you think. It almost tells a story…

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Review of Mortal Kombat (2021)

By Ren_55 (1) on 27 May 2021

Mega nice !!!!!!!!!!!!!! Ich reue mich jetzt schon auf Part 2-5…

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Review of Cruella (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 26 May 2021

There is never a moment I didn’t wholly buy into the Two Emmas and their delicious on-screen rivalry…

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Review of Cruella (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 26 May 2021

There’s an unexpectedly huge amount of old-fashioned fun to be had in Disney’s spectacular new origin-myth story…

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Review of A Quiet Place Part II (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 26 May 2021

The idea of a worldwide calamity returning with a vengeance is an awful prospect that audiences, at this moment in particular, might find dreadful…

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Review of Cruella (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 26 May 2021

Everything that’s good about Cruella can’t obscure the fact that it was a very bad idea. The movie makes gestures toward style…

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Review of Cruella (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 26 May 2021

Director Craig Gillespie (“Lars and the Real Girl,” “I, Tonya”) has delivered a clever, devilishly offbeat story with appropriately…

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Review of A Quiet Place Part II (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 26 May 2021

A Quiet Place Part II is effective, all right—Krasinski holds all the keys to turning us into nervous wrecks by the end…

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Review of Cruella (2021)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 26 May 2021

When she’s playing Cruella, Stone is definitely in charge…

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Review of Cruella (2021)

By A.o. Scott (2,100) for The New York Times (9,847) on 26 May 2021

This revisionist supervillain origin story, directed by Craig Gillespie (“I, Tonya”), doesn’t offer much that is genuinely new, but it…

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Review of Blue Miracle (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 26 May 2021

Thanks to the taste and shrewd judgment of director Julio Quintana, this funny, heartwarming movie provides just the right combination of adventure,…

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Review of Plan B (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 26 May 2021

Plan B possesses the requisite number of outré sight gags and gross-out humor to qualify it as a sophomoric teen flick…

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Review of Cruella (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 26 May 2021

Whatever good intentions were brought to bear in Cruella are lost in an overlong, awkwardly shaped mash-up of coming-of-age drama, caper flick,…

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Review of Plan B (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 26 May 2021

Plan B possesses the requisite number of outré sight gags and gross-out humor to qualify it as a sophomoric teen flick…

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Review of Cruella (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 26 May 2021

The fashion alone, designed by the great Jenny Beavan (an Oscar winner for “A Room with a View” and “Mad Max: Fury Road”), is worth…

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Review of Cruella (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 26 May 2021

The mood is one of acid-tipped wackiness, and both Stone and Thompson understand exactly what’s required to bring it to life…

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Review of Cruella (2021)

By Peter Debruge (1,557) for Variety (12,700) on 26 May 2021

The director, who brought a wicked edge to pop-culture redux “I, Tonya” a few years back, has rescued Cruella from the predictability of…

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Review of Cruella (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 26 May 2021

While its surface pleasures are dazzling — if a bit protracted, at well north of two hours — it finally suggests that memorable screen…

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Review of Cruella (2021)

By Tim Grierson (1,482) for Screen Daily (1,021) on 26 May 2021

While there’s energy and edge to the picture, Cruella feels stitched together from different influences in order to justify a rather blatant…

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Review of Cruella (2021)

By Alonso Duralde (1,351) for TheWrap (3,203) on 26 May 2021

Purists may balk, but viewers who think of this less as a reboot of Dodie Harris’ memorable monster and more as a Disney spin on Derek Jarman’s…

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