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Review of In the Heights (2021)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 04 Jun 2021

It doesn’t have to be a great movie. It’s a great experience, like a beautiful summer day…

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Review of Spiral: From the Book of Saw (2021)

By Tvjerry (1,783) on 04 Jun 2021

This new version of the SAW franchise is more a cop drama than a string of horrible encounters that end in extreme bodily harm…

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Review of Flashback (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 04 Jun 2021

And it mostly doesn’t quite work, because Fred, as written by MacBride and played by Dylan O’Brien, just isn’t a compelling character…

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Review of Equal Standard (2021)

By Liam Lacey (1,725) for Original-Cin (1,156) on 04 Jun 2021

Equal Standard means well, doesn’t stereotype black or white characters unduly, and offers hope instead of rage…

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Review of Dream Horse (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 04 Jun 2021

There’s fun to be had here of an undemanding sort – but anything fresh, or memorable, or remotely unexpected? Neigh, neigh and thrice neigh…

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Review of Billie Eilish: The World's a Little Blurry (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 04 Jun 2021

Here and elsewhere, you sense the film knows more than it’s prepared to share, which gives it the queasy sheen of a PR exercise…

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Review of The Amusement Park (1975)

By Brian Tallerico (1,600) for The Playlist (3,871) on 04 Jun 2021

The Amusement Park is a concise film (only 52 minutes), but Romero packs it so full of detail and ambition that it contains more to appreciate…

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Review of Gully (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 04 Jun 2021

It’s a film filled with half-hearted ideas and thin characters, all in the service of a story that wallows in its trauma in a manner that…

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Review of Undine (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 04 Jun 2021

Petzold keeps his mystery afloat (sorry) thanks to his impeccable craft even if this is a tale that sometimes feels like it needed a more magical…

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Review of The Killing of Two Lovers (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 04 Jun 2021

The believability of this fractured family is clinched by Machoian’s casting…

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Review of Frankie (2019)

By Tim Robey (1,578) for The Telegraph (1,120) on 04 Jun 2021

This is Sachs in Éric-Rohmer-abroad mode, and some way off top form…

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Review of The Conjuring: The Devil Made Me Do It (2021)

By Katie Walsh (1,279) for Chicago Tribune (6,211) on 04 Jun 2021

Johnson-McGoldrick’s facility with both the tropes of the Conjuring films, and the Warren’s relationship, keeps the film swift and emotionally…

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Review of Spirit Untamed (2021)

By Katie Walsh (1,279) for Chicago Tribune (6,211) on 04 Jun 2021

Spirit Untamed is a sweet film with a moving message about embracing family, heritage and most importantly, yourself, just the way you are,…

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Review of Monuments (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 04 Jun 2021

What could have been a powerful, timely, and potentially funny meditation on the grieving process is instead a work that's about as thin and…

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Review of Monuments (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 04 Jun 2021

What could have been a powerful, timely, and potentially funny meditation on the grieving process is instead a work that's about as thin and…

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Review of The Conjuring: The Devil Made Me Do It (2021)

By Compi24 (1,147) on 04 Jun 2021

I used to call the more Ed-and-Lorraine-Warren-focused Conjuring movies the numeric Conjuring movies, but now that we've abandoned the numerals…

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Review of Flashback (2021)

By Dennis Harvey (1,137) for Variety (12,700) on 04 Jun 2021

The movie’s pileup of dislocating side-swipes from any tangible here/now is intriguing and well-crafted to a degree many genre fans will…

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Review of Super Frenchie (2021)

By Michael Rechtshaffen (1,086) for Los Angeles Times (12,977) on 04 Jun 2021

For an extreme sports documentary, Super Frenchie, tracking the increasingly dangerous exploits of gonzo skier/BASE jumper Matthias Giraud,…

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Review of The Dry (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 04 Jun 2021

The Dry reveals itself as an engaging thriller in the vein of fellow Australian production Top of the Lake with duplicitous figures sharing…

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Review of Straight Outta Compton (2015)

By Alejandro970 (859) on 04 Jun 2021

What can be most appreciated about this documentary is honesty; in the sense of how this musical group became the spokesperson of a community,…

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