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Review of Censor (2021)

By Katie Walsh (1,279) for Chicago Tribune (6,211) on 11 Jun 2021

Censor is a bold artistic statement, inspired by the history of its own genre, though it’s not an uncritical assertion, posing complicated…

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Review of Peter Rabbit 2: The Runaway (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 11 Jun 2021

By indulging in the exact same instincts it insists are problematic artistically, Peter Rabbit 2 wants to have its carrot and eat it, too…

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Review of Roadrunner: A Film About Anthony Bourdain (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 11 Jun 2021

With its dense assemblage of archival materials and candid talking heads, “Roadrunner” gets the job done, yielding a tough, infuriating…

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Review of Akilla's Escape (2021)

By Michael Rechtshaffen (1,086) for Los Angeles Times (12,977) on 11 Jun 2021

Although the constant shifts between contemporary Toronto and ‘90s New York can at times cause confusion, the film remains firmly rooted…

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Review of In the Heights (2021)

By Brian Lowry (913) for CNN (497) on 11 Jun 2021

Big and vibrant, In the Heights provides summer movie-going with a joyous jolt of adrenalin, wedding the sensibilities of Lin-Manuel Miranda's…

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Review of Twister (1996)

By Alejandro970 (859) on 11 Jun 2021

It is one of those cases what happens when special effects plot eaten…

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Review of What Women Want (2000)

By Filipeneto (856) on 11 Jun 2021

Personally, I think this is one of the best romantic comedies I've ever seen…

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Review of Roadrunner: A Film About Anthony Bourdain (2021)

By Jason Bailey (832) for The Playlist (3,871) on 11 Jun 2021

At its best, it does what Bourdain’s work did: “Roadrunner” makes you want to jump on a plane, discover a new place, a new culture, eat…

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Review of Peter Rabbit 2: The Runaway (2021)

By Tara Brady (805) for The Irish Times (483) on 11 Jun 2021

Will Gluck, who presided over the disastrous 2014 adaptation of Annie and the misfiring comedies Friends with Benefits and Easy A, makes for…

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Review of The Father (2020)

By Tara Brady (805) for The Irish Times (483) on 11 Jun 2021

Much of the project’s power is derived from Anthony Hopkins’s Oscar-winning central performance…

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Review of Censor (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 11 Jun 2021

So while Enid’s investigation never goes anywhere noteworthy, Censor still fosters an increasingly desperate, anxiety-inducing effect…

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Review of Spiral: From the Book of Saw (2021)

By Mattbrady99 (654) on 11 Jun 2021

Fun fact: This is the longest episode of 'The Chris Rock Show' ever…

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Review of Holler (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 11 Jun 2021

Nicole Riegel's debut feature Holler is a film to treasure—an intimate drama about family and work, steeped in details that can only have…

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Review of The Great Mouse Detective (1986)

By Panchogul (602) on 11 Jun 2021

Policías y Ratones merece mas respeto y reconocimiento del que tiene, el detective Basil es un gran personaje, es muy histriónico, divertido…

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Review of Hitman's Wife's Bodyguard (2021)

By Ian Freer (515) for Empire (3,446) on 11 Jun 2021

Lacking anything approaching originality, The Hitman’s Wife’s Bodyguard is a generic, by-the-numbers action-comedy sequel…

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Review of Skater Girl (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 11 Jun 2021

There may be one too many obstacles placed in Prerna's way (the pet goat is a prime example), stacking the deck against her so there will be…

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Review of Queen Bees (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 11 Jun 2021

And for all the comedic talent in the film, from Curtin to Lloyd, who seem game for anything, there are precious few genuine laughs to be had…

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Review of Akilla's Escape (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 11 Jun 2021

Akilla’s Escape is undone by its own lack of faith in the viewer, opting to explicitly tell rather than rely on its fine actors to show us…

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Review of In the Heights (2021)

By Metacriticonur (388) on 11 Jun 2021

Perfect [ adjective, noun pur-fikt; verb per-fekt ] adjective conforming absolutely to the description or definition of an ideal type: a perfect…

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Review of A Quiet Place Part II (2021)

By Rebecca31 (376) on 11 Jun 2021

Well everyone after six long months of lockdowns we’re finally at a point where the cinemas are ready to welcome us back and boy is it good…

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