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Review of Hitman's Wife's Bodyguard (2021)

By James Berardinelli (4,524) for ReelViews (4,523) on 15 Jun 2021

Perhaps the biggest (and most noticeable) fall-off from the first film is the lack of chemistry between Reynolds and Jackson…

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Review of In the Heights (2021)

By Tvjerry (1,783) on 15 Jun 2021

The movie is based on the autobiographical musical by “Hamilton” creator Lin-Manuel Miranda…

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Review of The Space Between (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 15 Jun 2021

This is one of those movies that never quite sinks to the risible depths you kind of wish it would…

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Review of The Space Between (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 15 Jun 2021

This is one of those movies that never quite sinks to the risible depths you kind of wish it would…

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Review of Hitman's Wife's Bodyguard (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 15 Jun 2021

It ain’t worth the price of admission, but it is, in one of the drowsiest, dullest summer movies ever, a bit of an eye-opener…

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Review of Hitman's Wife's Bodyguard (2021)

By Brian Lowry (913) for CNN (497) on 15 Jun 2021

An expanded role for Salma Hayek is the newish wrinkle here, although that's hardly cause for an encore, or even an extra apostrophe…

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Review of 12 Mighty Orphans (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 15 Jun 2021

The delineation between good and evil maybe a bit too black-and-white throughout, but none of those aspects remove the potency of the lessons…

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Review of Censor (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 15 Jun 2021

The filmmaker assumes that aping the cheap aesthetics of the era are enough to establish style, and that making Enid a mystery amounts to layered…

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Review of Akilla's Escape (2021)

By Guy Lodge (731) for Variety (12,700) on 15 Jun 2021

Williams’ effortless, near-otherworldly presence gives Akilla’s Escape all the grace and mystique it requires; the film strains a little…

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Review of 12 Mighty Orphans (2021)

By Mike D'angelo (730) for The A.V. Club (5,644) on 15 Jun 2021

12 Mighty Orphans tells the true story of a Depression-era high school football team improbably formed at a Texas orphanage, but the screenplay…

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Review of Vox Lux (2018)

By Mauro_Lanari (665) on 15 Jun 2021

(Mauro Lanari) In the period between the US school massacres and September 11, a portrait of the 21st century symbolized by the life of a Faustian…

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Review of Hitman's Wife's Bodyguard (2021)

By James Mottram (656) for Total Film (3,532) on 15 Jun 2021

The sticking point for some will be the bone-crunching violence, of which there’s A LOT…

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Review of F9 (2021)

By Matt Singer (625) for ScreenCrush (954) on 15 Jun 2021

Even as it takes Fast and Furious to literal new heights (and marks a significant improvement from The Fate of the Furious), F9 never tops…

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Review of Ralph Breaks the Internet (2018)

By Panchogul (602) on 15 Jun 2021

La historia no es el fuerte de esta secuela, para eso está la primera parte, pese a lo débil que es, se complementa con las referencias de…

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Review of Wreck-It Ralph (2012)

By Panchogul (602) on 15 Jun 2021

Una película muy bien realizada a nivel visual, buena historia y personajes, pese a las innumerables referencias a otros videojuegos, no obstruyen…

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Review of Infinite (2021)

By Kristy Puchko (422) for IGN (1,013) on 15 Jun 2021

Infinite is a chaotic film. Plucking from well-worn cliches, it’s familiar enough to scratch the itch of action entertainment…

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Review of Wish Dragon (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 15 Jun 2021

While the film does take its time stepping out on its own and out of the shadows of Aladdin and its tale as old as time story (Long's own words),…

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Review of Shiva Baby (2021)

By Bertobellamy (400) on 15 Jun 2021

A refreshing movie about crumbling apart because of all the crap a young woman has to endure…

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Review of The Conjuring: The Devil Made Me Do It (2021)

By Rebecca31 (376) on 15 Jun 2021

Yet another addition to The Conjuring franchise and you know what that means, Ed and Lorraine Warren are back doing what they do best…

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Review of Nasrin (2020)

By Robert Daniels (336) for RogerEbert.com (5,563) on 15 Jun 2021

In depicting one woman’s fight for justice, Kaufman’s indelible documentary becomes an empowering three-dimensional story of resistance…

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