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Review of Holler (2021)

By Wonderswaiting (1) on 17 Jun 2021

Stunning in its superlative acting, immersive storyline and impressive 16mm cinematography, a must-see film for all the right reasons…

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Review of BLACKPINK: Light Up the Sky (2020)

By Sarvxy (1) on 17 Jun 2021

Early on in Blackpink: Light Up the Sky, the new Netflix documentary that traces the K-pop group's meteoric rise to fame, rapper Jennie drops…

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Review of Rita Moreno: Just a Girl Who Decided to Go for It (2021)

By Tatiana Tenreyro (1) for The A.V. Club (5,644) on 17 Jun 2021

The film is often unfocused, and—at a highly condensed 89 minutes—it makes only a cursory attempt to uncover aspects of this legend’s…

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Review of Spiral: From the Book of Saw (2021)

By Fpaganella (1) on 17 Jun 2021

Ottimo ritorno del franchise di Saw…

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Review of I'll Sleep When I'm Dead (2016)

By Hatelanadelrey (1) on 17 Jun 2021

You guys jjkkkkkkkkkkkkkkkkkkkkkkkkkkkkkkk es una buena película sea ni mdoo…

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Review of In the Heights (2021)

By Ilinr (1) on 17 Jun 2021

An alright film, consisting of well-shot scenes and decent choreography. A definite step-up from Hamilton, comparing the pacing and plot…

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Review of Ghost in the Shell (1995)

By Greasesack (1) on 17 Jun 2021

You can't beat a ghost, That battles with his shell (1995) every day…

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Review of The Dark Knight Rises (2012)

By Ajwjjw (1) on 17 Jun 2021

Rounding out the list is the final installment of Christopher Nolan’s trilogy; The Dark Knight Rises…

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Review of Howl's Moving Castle (2004)

By Debrissance (1) on 17 Jun 2021

I am ENRAGED First of all, the stereotypes are KILLING ME…

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Review of Luca (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 16 Jun 2021

Disney/Pixar’s animated “Luca” is “The Little Mermaid” without the heart, “Cloudy with a Chance of Meatballs” without the laughs…

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Review of In the Earth (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 16 Jun 2021

In the Earth brings us back to Wheatley’s classic world of occult loopy weirdness and cult Britmovie seediness, with a new topical dimension…

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Review of Luca (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 16 Jun 2021

Luca, set in Italy in the ’50s, is modest to a fault, and at times it feels generic enough to be an animated feature from almost any studio…

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Review of Fatherhood (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 16 Jun 2021

It transitions Hart from playfully scowling cutup to earnest heartfelt actor, and it does so in a way that, at times, is genuinely touching,…

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Review of Luca (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 16 Jun 2021

Director Enrico Casarosa is making his feature-length debut here, and he and the vast Pixar animation army have delivered a gorgeous and lovely…

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Review of Luca (2021)

By Ty Burr (2,612) for Boston Globe (6,852) on 16 Jun 2021

Luca has energy to spare and it’s certainly easy on the eyes, if not as visually outrageous as, say, the recent Coco…

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Review of Fatherhood (2021)

By Ty Burr (2,612) for Boston Globe (6,852) on 16 Jun 2021

Almost as generic as its title, Fatherhood is made real enough to matter by the strength of its performances and the sincerity of its makers…

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Review of Hitman's Wife's Bodyguard (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 16 Jun 2021

Sometimes a dumb action comedy can work perfectly well as a one-off, particularly if its writers and director can pull off the illusion that…

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Review of Luca (2021)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 16 Jun 2021

If this is a story told more broadly than what we’ve seen from Pixar the past few films, so be it…

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Review of Rita Moreno: Just a Girl Who Decided to Go for It (2021)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 16 Jun 2021

Moreno felt as if she didn’t have much worth as she struggled, she says…

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Review of The Sparks Brothers (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 16 Jun 2021

Beyond the music itself, The Sparks Brothers offers viewers a bracing example of musical curiosity and extraordinary resilience — not to…

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