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Review of Italian Studies (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 18 Jun 2021

The barrier between the real and the fictional encounters is increasingly permeable, as is the line between social norms and unacceptable behaviour,…

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Review of Catch the Fair One (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 18 Jun 2021

Much of Catch The Fair One’s lean authenticity comes from the film’s star (and real-life boxer) Kali Reis, who also gets a story credit…

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Review of The Sparks Brothers (2021)

By Tim Grierson (1,482) for Screen Daily (1,021) on 18 Jun 2021

Accentuated by smart insights from collaborators, celebrity fans and fellow musicians, the documentary is as deeply affectionate as Sparks’…

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Review of Werewolves Within (2021)

By Tim Grierson (1,482) for Screen Daily (1,021) on 18 Jun 2021

The fitfully amusing Werewolves Within tries to wring some laughs from that satiric premise, but this horror-comedy isn’t inspired enough…

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Review of Roadrunner: A Film About Anthony Bourdain (2021)

By Tim Grierson (1,482) for Screen Daily (1,021) on 18 Jun 2021

The film’s professional polish and slick accessibility sometimes come at the expense of probing insight, but those still grieving his suicide…

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Review of No Sudden Move (2021)

By Alonso Duralde (1,351) for TheWrap (3,203) on 18 Jun 2021

If a movie’s going to take us to “Chinatown,” it needs to come up with a new and different path to get there…

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Review of Italian Studies (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 Jun 2021

This is a film about an artist who forgets herself, made by an artist trying to do the same, and with the help of an actress looking for an…

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Review of Catch the Fair One (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 Jun 2021

Despite — or perhaps because of — how evocative Reis’ performance can be, Catch the Fair One asks her to fill in too many of its blanks…

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Review of No Sudden Move (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 18 Jun 2021

Even as the movie devolves into an ineffectual shaggy-dog story shoehorned into a baffling and abrupt real-life backdrop, it remains a slick…

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Review of Hidalgo (2004)

By Imthenoob (1,101) on 18 Jun 2021

Hidalgo is a very slow movie that acts as if it is this grand adventure with a compelling story and villain but it isn't…

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Review of The Fifth Element (1997)

By Imthenoob (1,101) on 18 Jun 2021

This is a very epic sci-fi film that honestly is a bit too much…

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Review of Monkey Shines (1988)

By Thequietgamer (1,082) on 18 Jun 2021

There are two things George Romero loved bringing to theater screens: zombies and socially conscious horror films…

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Review of Luca (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 18 Jun 2021

It’s well-meaning. It’s lively. It’s moderately funny. But it is no Finding Nemo…

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Review of In the Earth (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 18 Jun 2021

Not everything works in the admirably bizarre In the Earth, but nobody can deny Wheatley is back in his freak-folk wheelhouse…

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Review of Brian Wilson: Long Promised Road (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 18 Jun 2021

In his interactions with his band, with Fine, with his family (eldest daughter Carnie Wilson appears in the film but isn’t interviewed),…

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Review of No Sudden Move (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 18 Jun 2021

As each new wrinkle comes to light, Soderbergh keeps the action wound tight, zigging and zagging like a well-oiled machine…

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Review of False Positive (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 18 Jun 2021

Director Lee, who co-wrote the screenplay with Glazer and was a frequent Broad City collaborator, doesn’t quite sustain that bold stylistic…

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Review of Italian Studies (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 18 Jun 2021

The film trades the agreeably limber storytelling and seeming spontaneity of Leon’s previous work for a narrative both aimless and inert…

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Review of Fatherhood (2021)

By Brian Lowry (913) for CNN (497) on 18 Jun 2021

The appeal of Fatherhood really boils down to its title, the resilience of the human spirit, and Hart being bold enough -- like his alter ego…

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Review of Luca (2021)

By David Fear (910) for Rolling Stone (4,035) on 18 Jun 2021

The mixture of the fantastic and the sublime that’s constitutes the Ghibli house tone is very much what Casarosa & co…

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