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Review of I Carry You with Me (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 24 Jun 2021

Its imperfections and its beauties are inextricable from each other, and also from the sad, inspiring real-life story it has to tell…

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Review of LFG (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 24 Jun 2021

The issues in the film add up to a rat’s nest of athletic, economic and gender questions…

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Review of False Positive (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 24 Jun 2021

Lee (who directed episodes of “Broad City”) and Glazer swerve from comedy to horror, using the genre as a vehicle for social commentary…

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Review of Sisters on Track (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Jun 2021

The resulting documentary is a nuanced, humane, and more naturally uplifting portrait of three young people trying to keep pace with their…

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Review of My Heart Can't Beat Unless You Tell It To (2020)

By Dennis Harvey (1,137) for Variety (12,700) on 24 Jun 2021

If terror is not particularly sought after, there is still sufficient tension, and downplaying the story’s fantastical aspect in favor of…

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Review of The Ice Road (2021)

By Ed Gonzalez (1,102) for Slant Magazine (8,298) on 24 Jun 2021

The film is a muddle of clichés and unremarkable action sequences that bleed together into a cacophony…

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Review of Godzilla (1998)

By Imthenoob (1,101) on 24 Jun 2021

This movie is the perfect example of someone trying to cash in on a popular franchise long overdue for an American version…

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Review of F9 (2021)

By Brian Lowry (913) for CNN (497) on 24 Jun 2021

After a year where people could pause and rewind to catch missed dialogue, this is one of those movies where missed lines don’t matter, and…

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Review of I Carry You with Me (2021)

By David Fear (910) for Rolling Stone (4,035) on 24 Jun 2021

It is a gorgeous film, and one that deserves to be seen on a giant screen as much as that other only-in-theaters release this weekend, F9…

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Review of Sisters on Track (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 24 Jun 2021

Being on the track at all and using it to springboard themselves to higher education is the real victory here…

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Review of Lansky (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 24 Jun 2021

The heart of this movie, directed by Eytan Rockaway, is the relationship between the writer and his subject…

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Review of A Quiet Place Part II (2021)

By Alejandro970 (859) on 24 Jun 2021

This is one of those rare cases that a second part fulfills as much as the first…

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Review of Changeling (2008)

By Filipeneto (856) on 24 Jun 2021

I confess that I was not expecting this film to be so interesting. It's truly awesome…

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Review of Werewolves Within (2021)

By A.a. Dowd (854) for The A.V. Club (5,644) on 24 Jun 2021

At least Ruben maintains his comic instincts and crack timing throughout…

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Review of F9 (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 24 Jun 2021

F9 is a welcome blast of fizzy action glee. You won’t come out of it a better or smarter person – quite possibly dumber…

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Review of Lansky (2021)

By William Bibbiani (788) for TheWrap (3,203) on 24 Jun 2021

Writer-director Rockaway (“The Abandoned”) hits all the major bullet points in the gangster’s life but ignores almost all the connective…

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Review of Werewolves Within (2021)

By Chuck Bowen (756) for Slant Magazine (8,298) on 24 Jun 2021

The film becomes unexpectedly, effectively violent just when you’ve written it off as a glorified SNL sketch…

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Review of The Rage: Carrie 2 (1999)

By Panchogul (602) on 24 Jun 2021

La original Carrie estuvo llena de magia y esplendor, era de esperarse que una secuela genérica y cargada de estereotipos no iba a dar buenos…

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Review of Werewolves Within (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 24 Jun 2021

A new comedy classic whodunnit in the honored tradition of Clue, Werewolves Within finds the laughs in the jump scare, and brings back the…

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Review of My Heart Can't Beat Unless You Tell It To (2020)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 24 Jun 2021

Cuartas tenderly catches the scenario at the end of the road, leaving only the question of who, if any, will be able to walk away…

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