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Review of The Ice Road (2021)

By Brian Lowry (913) for CNN (497) on 25 Jun 2021

Simply put, Neeson has been in a bit of a rut, one that Ice Road exemplifies almost literally, since at several points in the movie the challenge…

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Review of Wolfgang (2021)

By Brian Lowry (913) for CNN (497) on 25 Jun 2021

Wolfgang nicely demonstrates how its namesake fundamentally impacted the world of cooking – and especially how high-end food is perceived…

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Review of Summer of Soul (...Or, When the Revolution Could Not Be Televised) (2021)

By David Fear (910) for Rolling Stone (4,035) on 25 Jun 2021

Summer of Soul is both a tribute to the artists and, just as importantly, their audience — which is what makes it not just a great concert…

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Review of Sputnik (2020)

By Broyax (884) on 25 Jun 2021

Un cosmonaute revient de mission… mais il n’est pas revenu tout seul : il a ramené qulque chose avec lui, notamment un xénomorphe pas…

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Review of Spanglish (2004)

By Alejandro970 (859) on 25 Jun 2021

This clash of cultures comedy was supposed to have something to say in its favor, but it's loaded with stereotypes that barely provoke the…

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Review of Fatima (2020)

By Tara Brady (805) for The Irish Times (483) on 25 Jun 2021

This later timeline, featuring two of the planet’s most wonderful actors, adds clout to a film that, in stark contrast to most faith-based…

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Review of Hitman's Wife's Bodyguard (2021)

By Tara Brady (805) for The Irish Times (483) on 25 Jun 2021

Cinemas are finally open; it’s hard to think of a worse way to mark the occasion…

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Review of The Ice Road (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 25 Jun 2021

The thrills here are both cheap and oddly, comfortingly captivating…

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Review of The Ice Road (2021)

By Mike D'angelo (730) for The A.V. Club (5,644) on 25 Jun 2021

Even at its dumbest, The Ice Road holds your attention; a climactic fight/chase scene even acknowledges that it’s hard to look badass on…

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Review of F9 (2021)

By Mattbrady99 (654) on 25 Jun 2021

Oh my god...there actually did it. 'F9' is wild, bonkers, fun, stupid, and really stupid…

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Review of The Serpent and the Rainbow (1988)

By Panchogul (602) on 25 Jun 2021

Creo que catalogarla como terror está demás ya que el mismo es completamente escaso, para mí es mas del género de aventura y fantasía,…

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Review of I Carry You with Me (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 25 Jun 2021

I Carry You with Me is a complicated film, in many ways, and it covers a lot of ground, but the emotions portrayed are simple and human-sized…

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Review of Gaia (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 25 Jun 2021

Gaia does not feel like homework. It's a thought-provoking and disturbing experience rather than a lecture…

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Review of The Ice Road (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 25 Jun 2021

While The Ice Road might not be quite as cut-and-paste as some of the others (there’s less revenge-taking, skill-listing and name-taking…

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Review of False Positive (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 25 Jun 2021

As the film crashes to a conclusion, early promise fading away, the film has the feeling of a valiant, but misguided, post-Get Out attempt…

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Review of False Positive (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 25 Jun 2021

A deftly made suspense film, but one that falls somewhat short of its aspirations, both as a satire and as a psychological thriller with a…

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Review of I Carry You with Me (2021)

By Katie Rife (451) for The A.V. Club (5,644) on 25 Jun 2021

Teaching the audience about the intricacies of the U.S…

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Review of The Ice Road (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 25 Jun 2021

A predictable, semi-shameless, yet not-unsatisfying action drama…

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Review of Wolfgang (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 25 Jun 2021

Like the DisneyNature films, it’s strikingly pretty, not just in its gorgeous views of the Austrian countryside, but also in the interiors…

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Review of Werewolves Within (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 25 Jun 2021

Here, [Ruben] lets loose with many of the goofy, creepy impulses that make him such a welcome voice in crowd-pleasing horror, creating a giddy…

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