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Review of The Tomorrow War (2021)

By Jcrosby (1) on 03 Jul 2021

Fun movie, surprisingly fresh take on a genre that's been done a million times…

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Review of I Care a Lot (2021)

By Humanoidalfungi (1) on 03 Jul 2021

I actually felt bad after watching the movie. I had a distaste. I'm not sure what the moral is…

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Review of The Tomorrow War (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 02 Jul 2021

I might’ve cut The Tomorrow War a little more slack had screenwriter Zach Dean not conjured up the crappiest, sappiest most over-extended…

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Review of I Carry You with Me (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 02 Jul 2021

I Carry You With Me is an innovative take on the classic “coming to America” immigrant saga…

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Review of The Forever Purge (2021)

By James Berardinelli (4,524) for ReelViews (4,523) on 02 Jul 2021

With Mexican-born director Everardo Gout at the helm (DeMonaco having stepped away from directorial duties following Election Year), the Forever…

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Review of The Tomorrow War (2021)

By Peter Travers (3,602) for ABC News (186) on 02 Jul 2021

There's nothing ‘tomorrow’ about a recycled sci-fi jumble that places all its bets on yesterday…

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Review of No Sudden Move (2021)

By Peter Travers (3,602) for ABC News (186) on 02 Jul 2021

Set in 1954 Detroit, Soderbergh’s terrific, twisty, film-noir throwback keeps a lot of racial, political and sexual tension simmering under…

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Review of Black Widow (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 02 Jul 2021

Black Widow is what happens when movies abandon human values for the emotional deadness and emptiness of the superhero movie…

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Review of The One and Only Dick Gregory (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 02 Jul 2021

The One and Only Dick Gregory is a comprehensive biography of a mercurial, brilliant and wildly funny artist-activist…

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Review of No Sudden Move (2021)

By Tvjerry (1,783) on 02 Jul 2021

Don Cheadle and Benicio del Toro play 2 low-level criminal types in 50’s Detroit…

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Review of The Boss Baby: Family Business (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 02 Jul 2021

What chafes is not so much the vulgarity (although it is as relentless as it is unfunny) but the movie’s intractable infatuation with it…

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Review of Fear Street: 1994 (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 02 Jul 2021

There’s an unmistakeable timidity to director Leigh Janiak and Phil Graziadei’s screenplay: it feels odd to watch an 18-rated horror that…

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Review of Asia (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 02 Jul 2021

Pribar’s humane and heartbreaking drama is beautifully photographed and performed; a loving, warm, and even sexy film about death and dying…

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Review of The Tomorrow War (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 02 Jul 2021

The supposedly original script from writer Zach Dean offers very little that’s innovative or inspired…

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Review of Another Round (2020)

By Donald Clarke (1,051) for The Irish Times (483) on 02 Jul 2021

Shot in chocolatey browns amid the more comfortable suburbs of Copenhagen, Another Round underlines its later, more cautious warnings by reminding…

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Review of The Tomorrow War (2021)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 02 Jul 2021

So, it’s Edge of Tomorrow meets Interstellar meets Aliens meets Tenet meets Independence Day, with their brains removed…

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Review of The Tomorrow War (2021)

By Brian Lowry (913) for CNN (497) on 02 Jul 2021

Watching Chris Pratt fight to save the future has a certain appeal, but in the here and now, he can't even save the movie…

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Review of The Forever Purge (2021)

By Brian Lowry (913) for CNN (497) on 02 Jul 2021

The Forever Purge's once-over-lightly politics don't merit much of a fuss, playing like a cynical exploitation of real-world issues…

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Review of No Sudden Move (2021)

By Brian Lowry (913) for CNN (497) on 02 Jul 2021

No Sudden Move fares better with the quirky, unpredictable nature of the characters, the impeccable period touches -- from the overall look…

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Review of Summer of Soul (...Or, When the Revolution Could Not Be Televised) (2021)

By Brian Lowry (913) for CNN (497) on 02 Jul 2021

Thompson really lets the music play in order to appreciate the artists, augmenting that by interviewing people who attended the festival, reacquainting…

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