Browse Movie Reviews - Page 3,327 of 258,691

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Review of Luca (2021)

By Ayomaari (1) on 07 Jul 2021

One of the best Disney movies I have seen…

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Review of IO (2019)

By Meeckle (1) on 07 Jul 2021

Just really bad. Not sure what they were going for with this, it was supremely boring…

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Review of Cruella (2021)

By Signorelli (1) on 07 Jul 2021

Sinceramente non mi aspettavo molto da questo film e, già a partire dal trailer, mi sembrava una copia de Il diavolo veste Prada…

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Review of Stowaway (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 06 Jul 2021

There’s real suspense in the central dilemma and in the Hail Mary efforts to think and work their way out of this…

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Review of Wish Dragon (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 06 Jul 2021

The moral of the story, “the power of human friendship,” must have taken 33 seconds to come up with…

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Review of Settlers (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 06 Jul 2021

With Settlers, the filmmaker takes us on a journey as much internal as extra-terrestrial…

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Review of Meander (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 06 Jul 2021

It becomes a screen thriller you mentally set aside, like a puzzle with insufficient challenges to ever be worth tackling again…

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Review of Stowaway (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 06 Jul 2021

There’s real suspense in the central dilemma and in the Hail Mary efforts to think and work their way out of this…

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Review of No Sudden Move (2021)

By James Berardinelli (4,524) for ReelViews (4,523) on 06 Jul 2021

No Sudden Move represents [Soderbergh's] best post-“retirement” effort and this is a real treasure for those with an affinity for ensemble…

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Review of Annette (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 06 Jul 2021

Annette is a forthright and declamatory and crazy spectacle, teetering over the cliff edge of its own nervous breakdown, demanding that we…

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Review of Summertime (2021)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 06 Jul 2021

It’s experimental in the best way; Estrada takes chances, and not every segment works…

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Review of Summer of Soul (...Or, When the Revolution Could Not Be Televised) (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 06 Jul 2021

It’s not just the historical footage that makes the documentary special, however; it’s also what Questlove and his filmmaking team do with it…

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Review of Zola (2021)

By Tvjerry (1,783) on 06 Jul 2021

In 2015, A’Ziah “Zola” Wells wrote 148 tweets that chronicled the story of her bizarre trip to Tampa…

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Review of French Exit (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 06 Jul 2021

It’s the kind of format that works as long as the characters aren’t all completely unbearable – which is, alas, not the case here…

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Review of Annette (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 06 Jul 2021

Carax has an unparalleled knack for constructing scenes that feel like vividly remembered dreams – some of the images here carry such a strange…

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Review of Freaky (2020)

By Robbie Collin (1,612) for The Telegraph (1,120) on 06 Jul 2021

When it’s in the mood, horror can be a sexually subversive genre; it can also be a flagrantly non-PC one…

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Review of Another Round (2020)

By Tim Robey (1,578) for The Telegraph (1,120) on 06 Jul 2021

Even if it springs few genuine revelations, this loping sine wave of a film still lands as an honest take on the high highs and low lows of…

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Review of Annette (2021)

By Peter Debruge (1,557) for Variety (12,700) on 06 Jul 2021

In this particular cocktail, Carax is boiling lead to Sparks’ soda-pop fizz, sucking all the fun from the root-beer float…

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Review of Annette (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 06 Jul 2021

It’s hard not to feel stirred, even moved, by the sheer improbable fact of this picture’s existence: Moment by moment, you’re held by…

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Review of Annette (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 06 Jul 2021

Sure, the carnivalesque twist of the final hour is a touch heavy-handed, and it’s not the only one…

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