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Review of Fear Street: 1978 (2021)

By Michael Ordona (350) for Los Angeles Times (12,977) on 08 Jul 2021

Fear Street Part 2: 1978 is no classic, but it’s a clear improvement on “1994,” with more tension and excitement (and generous gore)…

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Review of Summertime (2021)

By Robert Daniels (336) for Los Angeles Times (12,977) on 08 Jul 2021

The sunny, diverse musical delivers sugary messages of self-affirmation with the shine of a lollipop and the stickiness of a half-eaten sucker…

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Review of Annette (2021)

By John Bleasdale (289) for CineVue (2,163) on 08 Jul 2021

The delight is in the audacity and surprise of the film…

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Review of The Loneliest Whale: The Search for 52 (2021)

By Carlos Aguilar (278) for TheWrap (3,203) on 08 Jul 2021

While Zeman’s enthusiasm is occasionally infectious, his conjectures, explained in voiceover, are riddled with platitudes and self-centered…

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Review of Space Jam (1996)

By Dogegamer2015 (242) on 08 Jul 2021

Una buena película con Michael Jordan; la trama es decente, la animación es buena y las escenas del partido de baloncesto son muy divertidas;…

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Review of The Witches of the Orient (2021)

By Teo Bugbee (199) for The New York Times (9,847) on 08 Jul 2021

If the team was derided by their prejudiced (and defeated) foes in the moment of their success, this documentary elegantly restores the glow…

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Review of Summertime (2021)

By Teo Bugbee (199) for The New York Times (9,847) on 08 Jul 2021

The most successful sequences are the ones that find new ways of illustrating the meaning of a poem besides lingering on the face of the performer…

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Review of Annette (2021)

By Pat Brown (171) for Slant Magazine (8,298) on 08 Jul 2021

The musical format proves a natural fit for Leos Carax’s love of the visual fantasies created by the cinema’s most basic means of illusion…

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Review of Mission: Impossible (1996)

By Tony1984 (170) on 08 Jul 2021

Tom Cruise shows us again and again why he is one the best actors of his generation…

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Review of 22 July (2018)

By Tony1984 (170) on 08 Jul 2021

Greengrass has a style that really hits the mark…

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Review of Flash Gordon (1980)

By Kelvinselimor (157) on 08 Jul 2021

Flash Gordon. He'll save every one of us. Fast-forward to 80…

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Review of Pet Sematary (2019)

By Akshatmahajan (157) on 08 Jul 2021

I watch Pet Sematary remake after watching the original and I was really disappointed with the remake…

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Review of The Woman in the Window (2021)

By Katezoe (154) on 08 Jul 2021

Tired, unimaginative, and boring movie. The cast of highly regarded artist must be cringing…

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Review of Meander (2021)

By Thom Ernst (141) for Original-Cin (1,156) on 08 Jul 2021

Meander, by director Mathieu Turi, uses the device of the escape room, or tunnel in this instance, as a way of negotiating the story of a woman’s…

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Review of No Sudden Move (2021)

By Vikram Murthi (112) for The Film Stage (3,162) on 08 Jul 2021

After 29 narrative features, Soderbergh has developed a proficient sense of staging that feels simultaneously relaxed and invigorating…

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Review of The Inventor: Out for Blood in Silicon Valley (2019)

By Trailesque (112) on 08 Jul 2021

I am a huge Alex Gibney fan…

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Review of I Carry You with Me (2021)

By Jenny Nulf (101) for Austin Chronicle (7,653) on 08 Jul 2021

Admirable efforts aside, I Carry You With Me is still an enchanting mix of drama and romance, but also a timely, poetic love letter to Iván’s…

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Review of The Possession of Hannah Grace (2018)

By Iamcritical86 (93) on 08 Jul 2021

Well, the beginning got off to a rocky and rather poor start…

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Review of The Tomorrow War (2021)

By Nobilis1984 (91) on 08 Jul 2021

A grip in the toilet. Here is totally relied on CGI and Pratt. The first looks good and the second disappoints across the board…

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Review of Summer of Soul (...Or, When the Revolution Could Not Be Televised) (2021)

By Sarah-Tai Black (68) for The Globe and Mail (Toronto) (4,018) on 08 Jul 2021

As a filmmaker, Questlove utilizes his celebrity connections more than he does original directorial vision, trading instead in long-established,…

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