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Review of The Loneliest Whale: The Search for 52 (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 09 Jul 2021

Even if you don’t care much about whales, or don’t think you do, Joshua Zeman’s enthusiastic documentary The Loneliest Whale: The Search…

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Review of Meander (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 09 Jul 2021

Phantasm, gnarly as it could get, always had an impish side, just as the monumental power of AC/DC is leavened by the sight of its elfin lead…

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Review of Stillwater (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 09 Jul 2021

McCarthy keeps dragging the film away from thriller and procedural territory and back to this blossoming domestic setup – but while Damon…

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Review of Benedetta (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 09 Jul 2021

As a statement, Benedetta won’t win any awards for coherence, but there’s just Too Much Verhoeven going on here for sensation hunters ever…

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Review of The Souvenir: Part II (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 09 Jul 2021

Where Part I had a shimmering poignancy as a tragic love story, this is busy and dazzling: Hogg has never made a funnier piece of work or come…

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Review of Stillwater (2021)

By Peter Debruge (1,557) for Variety (12,700) on 09 Jul 2021

The movie’s more interesting for being less obvious…

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Review of Benedetta (2021)

By Peter Debruge (1,557) for Variety (12,700) on 09 Jul 2021

With its haters-be-damned approach to all things carnal, Benedetta is intended to arouse, thereby satisfying the most basic definition of pornography,…

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Review of After Yang (2022)

By Peter Debruge (1,557) for Variety (12,700) on 09 Jul 2021

The movie’s pulse seldom rises above resting, but the director invites audiences to dive as deep as they want to go into the film’s themes,…

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Review of Stillwater (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 09 Jul 2021

McCarthy pushes the thriller narrative in directions more extreme and harrowing than plausible, bringing Bill and Allison’s story to an unexpected…

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Review of Stillwater (2021)

By Tim Grierson (1,482) for Screen Daily (1,021) on 09 Jul 2021

There’s real feeling in this story — and a genuine desire to challenge audience expectations — which is laudable but only takes Stillwater…

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Review of Benedetta (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 Jul 2021

Despite a handful of headline-worthy moments and a generally blasphemous — or perhaps just humanistic…

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Review of The Souvenir: Part II (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 Jul 2021

As vulnerable as its predecessor and textured with the same velvet sense of becoming, “Part II” adds new layers of depth and distance to…

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Review of After Yang (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 Jul 2021

Through its hushed portrait of loss and reclamation, After Yang whispers a powerful fable about an all too present tomorrow in which people…

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Review of Black Widow (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 09 Jul 2021

Already established as a wizard with buried irony, Pugh politely steals the film with a witty performance that makes sense of even the silliest…

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Review of The Loneliest Whale: The Search for 52 (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 09 Jul 2021

The preceding journey might have been smoother, but the doc is a reminder that we still know so little about the oceans and their inhabitants,…

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Review of Stillwater (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Jul 2021

Unfurling over a sluggish two hours plus, Stillwater is least convincing when McCarthy attempts to build suspense, with most of that work being…

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Review of The Souvenir: Part II (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Jul 2021

The distinctive British filmmaker is at the height of her powers in this semiautobiographical work…

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Review of After Yang (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Jul 2021

This is a film of transporting grace and compassion, cerebral but never cold…

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Review of My Girl (1991)

By Alejandro970 (859) on 09 Jul 2021

I know that some people will consider my qualification unfair but I have my justification: the plot remains to be due when it comes to provoking…

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Review of First Cow (2020)

By Tara Brady (805) for The Irish Times (483) on 09 Jul 2021

As ever, Reichardt works in delicate movements as a storyteller. Magaro and Lee’s wonderful chemistry keeps perfectly in step with the filmmaker…

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