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Review of Pig (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 13 Jul 2021

Like the character at the heart of Pig — who is not, as it turns out, a pig at all, even metaphorically — it is smoldering and gentle…

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Review of Titane (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 13 Jul 2021

Titane is the kind of film that makes quibbles over plausibility seem foolish: you just have to sit back and enjoy being ridden over, or at…

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Review of Titane (2021)

By Peter Debruge (1,557) for Variety (12,700) on 13 Jul 2021

With Titane, audiences occasionally just have to give themselves over to the movie’s demented momentum, taking whatever perverse pleasure…

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Review of Roadrunner: A Film About Anthony Bourdain (2021)

By Dana Stevens (1,435) for Slate (2,081) on 13 Jul 2021

Roadrunner is never less than fascinating to watch, but it is far from perfect…

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Review of Gunpowder Milkshake (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 13 Jul 2021

Though not without its moments, the film offers too little of interest for its leading ladies to do, and feels throughout like an adaptation…

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Review of Titane (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Jul 2021

Whatever you’re willing to take from it, there’s no denying that Titane is the work of a demented visionary in full command of her wild…

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Review of Pig (2021)

By Jim Slotek (879) for Original-Cin (1,156) on 13 Jul 2021

If this seems like a bit of a deep dive when the subject is trendy restaurants in Portland, Pig is a serious movie with heady themes that just…

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Review of Gunpowder Milkshake (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 13 Jul 2021

This is regurgitated shoot-’em-up nothingness fetishistically dressed in the cosplay of equality…

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Review of Werewolves Within (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 13 Jul 2021

This goofy horror comedy, based on an online game of the same name, just goes to prove that if you have a great cast, smart direction and witty…

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Review of Finding You (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 13 Jul 2021

Although the main characters in this romantic tale are meant to be just over 18, this Sky Movies release is manifestly aimed at a much younger…

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Review of The World to Come (2021)

By Brent_Marchant (762) on 13 Jul 2021

No matter how beautifully filmed, poetically (though unnaturally) written and superbly performed this period piece forbidden romance may be,…

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Review of Pig (2021)

By Mike D'angelo (730) for The A.V. Club (5,644) on 13 Jul 2021

Like the animal itself, Pig is considerably smarter and more ardent than it appears at first glance, and unearths treasures that are barely…

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Review of Gunpowder Milkshake (2021)

By Kate Erbland (681) for IndieWire (3,631) on 13 Jul 2021

This first entry could stand to be a bit more satisfying on its own, but the sugar rush that accompanies “Gunpowder Milkshake” is more…

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Review of The Divine Order (2017)

By Mauro_Lanari (665) on 13 Jul 2021

(Mauro Lanari) 1) Well represented historical confusion between universal suffrage, equality of the sexes (today gender equality), sexual emancipation…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By James Mottram (656) for Total Film (3,532) on 13 Jul 2021

Another work that could really only come from Anderson’s relentless imagination: exquisite detail, eclectic storylines, superb cast…

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Review of Night of the Creeps (1986)

By Mattbrady99 (654) on 13 Jul 2021

Screaming like, Banshees!! 'Night of the Creeps' is a silly zombie comedy/horror movie that went under people's radar for nearly 30 years…

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Review of Pig (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 13 Jul 2021

It's attentive to regret and failure in ways that American films tend to avoid for fear of bumming viewers out and making them warn other people…

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Review of Compartment No. 6 (2021)

By Dave Calhoun (583) for Time Out (7,510) on 13 Jul 2021

The performances, the writing and the direction all conspire to make it feel fresh and specific, and as bleak as the settings may be, it has…

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Review of Gunpowder Milkshake (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 13 Jul 2021

As much as Gillan, Headey, and the three Librarians (Bassett, Gugino, and Yeoh) of the gunplay apocalypse embrace the visual stylization and…

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Review of Benedetta (2021)

By Richard Lawson (539) for Vanity Fair (761) on 13 Jul 2021

Benedetta is full of surprising tones shrewdly introduced by Verhoeven, who keeps us leaning forward to suss out just what his film is trying…

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