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Review of Summertime (2021)

By Ty Burr (2,612) for Boston Globe (6,852) on 15 Jul 2021

The movies have a long history of “kids putting on a show.” Summertime belongs to that tradition even as it expands its boundaries into…

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Review of Pig (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 15 Jul 2021

This is primo Nicolas Cage dialogue, inquisitive and soul-deep, the kind of stuff he was born to say…

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Review of Pig (2021)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 15 Jul 2021

Pig is a rich character study, marked by several riveting Cage monologues…

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Review of How to Deter a Robber (2021)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 15 Jul 2021

How to Deter a Robber is a mildly likable dark comedy that never finds a steady groove…

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Review of Gunpowder Milkshake (2021)

By Tvjerry (1,783) on 15 Jul 2021

If you enjoy watching chicks kick ass, this movie nails it…

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Review of Roadrunner: A Film About Anthony Bourdain (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 15 Jul 2021

With immense perceptiveness, Neville shows us both the empath and the narcissist: The man who refused to turn the suffering he saw in war zones…

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Review of Pig (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 15 Jul 2021

Pig, Michael Sarnoski’s stunningly controlled first feature, is a mournful fable of loss and withdrawal, art and ambition…

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Review of Space Jam: A New Legacy (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 15 Jul 2021

The movie is just a big, empty declaration of corporate dominance, a whirling CGI tornado that — like a much stupider Tasmanian Devil —…

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Review of Roadrunner: A Film About Anthony Bourdain (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 15 Jul 2021

For two hours it places Bourdain’s voice alongside the voices of those who knew him, as if they were still able to converse on the same spiritual…

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Review of The Witches of the Orient (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 15 Jul 2021

Fusing exquisitely shot color 16mm footage from 1964 of the team’s training sessions, drone-like music and splices of animation, we get a…

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Review of Escape Room: Tournament of Champions (2021)

By Katie Walsh (1,279) for The Seattle Times (964) on 15 Jul 2021

Escape Room: Tournament of Champions is a pastiche of its predecessors, using this mosaic of tropes and formula familiarity as a shorthand…

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Review of Escape Room: Tournament of Champions (2021)

By Dennis Harvey (1,137) for Variety (12,700) on 15 Jul 2021

Part of the problem is that since everything is at so incessant a fever pitch, suspense flattens rather than builds, and we don’t care much…

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Review of No Ordinary Man (2021)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 15 Jul 2021

This is a compelling, often profound film, one that creatively surmounts its inherent limitations and shines a vital and heartfelt light on…

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Review of Piranha 3DD (2012)

By Thequietgamer (1,082) on 15 Jul 2021

Somehow even hornier than its predecessor…

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Review of Space Jam: A New Legacy (2021)

By Brian Lowry (913) for CNN (497) on 15 Jul 2021

Debates over LeBron James' greatness compared to Michael Jordan on a basketball court will continue in perpetuity, but Space Jam: A New Legacy…

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Review of Escape Room: Tournament of Champions (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 15 Jul 2021

Human error—or uncertainty—is the biggest source of tension in this movie, and it goes a long way towards making this sequel (a little)…

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Review of The Croods: A New Age (2020)

By Cath Clarke (570) for The Guardian (2,969) on 15 Jul 2021

There is just too much going on, and the movie doubles in hecticness with every minute that passes, which may have you rummaging around for…

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Review of Red Rocket (2021)

By Jason Gorber (520) for Slashfilm (971) on 15 Jul 2021

The end result is a real pleasure, taking us along for a wild ride…

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Review of The Boys in Red Hats (2021)

By Nicolas Rapold (488) for The New York Times (9,847) on 15 Jul 2021

Between a bro-friendly voice-over and “TMZ Live”-style bull sessions with his producer, Schroder’s exploratory pose comes to feel exasperatingly…

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Review of Pig (2021)

By Johnny Oleksinski (478) for New York Post (6,650) on 15 Jul 2021

It’s my favorite Cage performance in some time, after overly bizarre turns in recent years as a murderous parent in Mom and Dad and an inmate…

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