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Review of The Predator (2018)

By Eva3Si0N (403) on 23 Jul 2021

The 2018 Predator is no longer as terrible as Predators, but it is not near the original dilogy…

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Review of Midnight in the Switchgrass (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 23 Jul 2021

Midnight in the Switchgrass is the type of crime thriller that’s so full of cliches that it becomes one big cliche itself…

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Review of Charlatan (2021)

By Michael Ordona (350) for Los Angeles Times (12,977) on 23 Jul 2021

What audiences are likely to come away with most of all is a pondering over how these many sides could coexist in the same person, perhaps…

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Review of Jolt (2021)

By Roxana Hadadi (336) for Polygon (677) on 23 Jul 2021

A B-movie designed by people who knew exactly what kind of enjoyable trash they were making, Jolt is unabashedly silly, sloppily written, and…

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Review of Settlers (2021)

By Roxana Hadadi (336) for Polygon (677) on 23 Jul 2021

Rockefeller only repeats other science fiction, rather than inventing big ideas of his own…

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Review of Old (2021)

By Tropicaces (322) on 23 Jul 2021

Some good twists and bits of horror, but the writing is just so bad. One of his more interesting twists, though…

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Review of A.I. Artificial Intelligence (2001)

By Habibiehakim (321) on 23 Jul 2021

It's not only a robot movie, it's not only a future movie, and it's not only an alien movie, it's about a robot who really love his human mother,…

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Review of Woodstock 99: Peace, Love, and Rage (2021)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 23 Jul 2021

I have problems with some of the ways Price tells his story and some of the access he was able to get, but his documentary is more thoughtful…

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Review of Broken Diamonds (2021)

By Justin Lowe (291) for The Hollywood Reporter (7,050) on 23 Jul 2021

In tactfully tackling some of the often-sensationalized issues surrounding schizophrenia, Sattler and screenwriter Steve Waverly craft a topical…

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Review of Broken Diamonds (2021)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 23 Jul 2021

The tone rarely hits its target for dark levity, often making one wonder, “Was that meant to be funny?”…

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Review of Riders of Justice (2020)

By Phil De Semlyen (265) for Time Out (7,510) on 23 Jul 2021

What separates the ensuing mayhem from a thousand generic thrillers out there is an impish streak and writing that smartly juggles big ideas,…

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Review of Jolt (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 23 Jul 2021

Jolt’s generic results are so far removed from its high-concept electrical premise that you have to wonder: Watt the hell happened…

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Review of Old (2021)

By Stream2Bigscree (201) on 23 Jul 2021

Happy weekend, Streamers! The much-anticipated new movie from M. Night Shyamalan, Old, was released in theaters July 23, 2021…

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Review of Woodstock 99: Peace, Love, and Rage (2021)

By Kristen Lopez (178) for IndieWire (3,631) on 23 Jul 2021

Setting aside its subjects’ lack of diversity, “Woodstock 99” is a must-watch documentary that reminds us, yet again, about history’s…

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Review of Old (2021)

By Kim Hughes (164) for Original-Cin (1,156) on 23 Jul 2021

I have not read the graphic novel Sandcastle upon which Old is based so I can’t vouch for its faithfulness to the source material…

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Review of The Taking of Pelham One Two Three (1974)

By Akshatmahajan (157) on 23 Jul 2021

The Taking of Pelham One Two Three is one of the best executed movie ever made. This movie was ahead of it's time…

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Review of Playing with Sharks (2021)

By Natalia Winkelman (145) for The New York Times (9,847) on 23 Jul 2021

Playing With Sharks would like to position Valerie as both intrepid diver and valiant activist, but with its focus on thrills and gills, the…

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Review of Jolt (2021)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 23 Jul 2021

What Jolt lacks in originality and subtlety it at least somewhat makes up for in verve…

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Review of Space Jam: A New Legacy (2021)

By Theredsky (142) on 23 Jul 2021

A ironically hilarious film but an absolutely terrible film none the less. Everything about this film doesn’t work…

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Review of Midnight in the Switchgrass (2021)

By Ferdosa Abdi (130) for Screen Rant (892) on 23 Jul 2021

Although the film's narrative is passable at best, it struggles to maintain any momentum due to uninteresting characters and predictably bad writing…

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