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Review of The World to Come (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 26 Jul 2021

This is a singularly subdued kind of storytelling…

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Review of LAMB (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 26 Jul 2021

The brilliantly sustained mood and matter-of-fact absurdity of Valdimar Jóhannsson’s impressive debut is slightly let down by a pay-off…

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Review of The Green Knight (2021)

By Tim Grierson (1,482) for Screen Daily (1,021) on 26 Jul 2021

The exceptional level of craftsmanship — which includes some seamless, low-key special effects — wouldn’t be nearly as affecting without…

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Review of Buddy Guy: The Blues Chase the Blues Away (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 26 Jul 2021

The Blues Chase the Blues Away is almost alarming in its departure from convention—much like Mr. Guy, as it happens…

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Review of The Green Knight (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 26 Jul 2021

Stoned out of its mind and shot with a genre-tweaking mastery that should make John Boorman proud, it’s also the rare movie that knows exactly…

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Review of Lamb (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 26 Jul 2021

Lamb takes a low-key minimalist approach to its premise that invites a certain shock-and-awe reaction before doubling back to give it purpose…

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Review of LAMB (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 26 Jul 2021

Lamb takes a low-key minimalist approach to its premise that invites a certain shock-and-awe reaction before doubling back to give it purpose…

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Review of Night of the Kings (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 26 Jul 2021

This portrayal of imprisonment may be authentically down to earth (Blackbeard’s rival Lass wants inmates to be managed “more rationally”,…

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Review of The Green Knight (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 26 Jul 2021

It embraces the strange remoteness of myth and Middle Ages lore on its own terms and creates something quietly dazzling and new…

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Review of Lamb (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 26 Jul 2021

Lamb is a disturbing experience but also a highly original take on the anxieties of being a parent, a tale in which nature plus nurture yields…

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Review of LAMB (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 26 Jul 2021

Lamb is a disturbing experience but also a highly original take on the anxieties of being a parent, a tale in which nature plus nurture yields…

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Review of Val (2021)

By David Fear (910) for Rolling Stone (4,035) on 26 Jul 2021

Val is simply the reflections of an actor with a knack for self-documentation, who has seen better days but remains buoyant by the prospect…

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Review of Val (2021)

By David Fear (910) for Rolling Stone (4,035) on 26 Jul 2021

Val is simply the reflections of an actor with a knack for self-documentation, who has seen better days but remains buoyant by the prospect…

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Review of Enemies of the State (2021)

By Chris Barsanti (896) for Slant Magazine (8,298) on 26 Jul 2021

The film’s concession to the fungible nature of presented reality comes across not as indecisive but courageous…

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Review of Flatliners (2017)

By Broyax (884) on 26 Jul 2021

Avec la jolie Ellen Page, ceci est un remake du vieux navet de 1990 avec Julie Robert et Kiefer ’24h’ (qui a ironiquement un petit rôle…

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Review of Eyes of Laura Mars (1978)

By Broyax (884) on 26 Jul 2021

C’est une sorte de thriller hitchcockien à nette tendance paranormale : Laura Mars en effet, la photographe renommée voit de temps en temps…

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Review of Lorelei (2020)

By Jared Mobarak (867) for The Film Stage (3,162) on 26 Jul 2021

Lorelei is nothing if not a story about redemption…

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Review of Lorelei (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 26 Jul 2021

Lorelei is nothing if not a story about redemption…

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Review of The Green Knight (2021)

By A.a. Dowd (854) for The A.V. Club (5,644) on 26 Jul 2021

Here, the Texas writer-director revels in the opportunity to create image after image worthy of immortalization: The Green Knight is his most…

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Review of The Green Knight (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 26 Jul 2021

The power of Lowery’s work here is to filter his many influences into a singular vision that feels entirely in his sole possession…

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