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Review of The Green Knight (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 29 Jul 2021

The Green Knight is a strange film — so out of step with current trends, so original in its conception, so willing to take its time and follow…

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Review of Pray Away (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 29 Jul 2021

Though there are political elements here, to be sure, Pray Away has more the feeling of witnessing multiple spiritual journeys…

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Review of The Green Knight (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 29 Jul 2021

The Green Knight contains some beautifully written passages, and cinematographer Andrew Droz Palermo delivers one award-worthy visual image…

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Review of Jungle Cruise (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 29 Jul 2021

Director Jaume Collet-Serra (best known for the Liam Neeson actioners Unknown, Non-Stop and The Commuter) is far too enamored with the CGI…

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Review of Stillwater (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 29 Jul 2021

Even when the story comes close to flying off the rails, Matt Damon holds steady and commands the screen…

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Review of Ride the Eagle (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 29 Jul 2021

The thing about Ride the Eagle is we have a funny, sweet, insightful, low-key charmer of a story that’s all about making human connections,…

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Review of Jungle Cruise (2021)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 29 Jul 2021

Blunt’s derring-do has its stray moments, and her comic wiles are most welcome…

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Review of Stillwater (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 29 Jul 2021

Matt Damon, in the central role, confers a somber grace on a man who always thought he had none…

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Review of The Green Knight (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 29 Jul 2021

The Green Knight is many things—hypnotic, cryptic, dramatic, occasionally funny, certainly poetic and often magical in its way—but simple…

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Review of Cousins (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 29 Jul 2021

What gives the film its distinction is the grace and intimacy with which it depicts the cousins’ girlhoods, and the quality of the performances—superb…

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Review of Cousins (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 29 Jul 2021

What gives the film its distinction is the grace and intimacy with which it depicts the cousins’ girlhoods, and the quality of the performances—superb…

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Review of Cousins (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 29 Jul 2021

What gives the film its distinction is the grace and intimacy with which it depicts the cousins’ girlhoods, and the quality of the performances—superb…

Read Review

Review of Cousins (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 29 Jul 2021

What gives the film its distinction is the grace and intimacy with which it depicts the cousins’ girlhoods, and the quality of the performances—superb…

Read Review

Review of Stillwater (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 29 Jul 2021

The story becomes unpleasantly bitter and asks us to buy certain behaviors that don’t make much sense, and that we’re not quite sure a…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By Jluis_001 (2,242) on 29 Jul 2021

I will say this without preamble. I'm sick of movies about origins…

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Review of The Green Knight (2021)

By A.o. Scott (2,100) for The New York Times (9,847) on 29 Jul 2021

The Green Knight is always interesting — and occasionally baffling — but at the end it rises to a swirling, feverish pitch of feeling and…

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Review of Amazing Grace (2018)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 29 Jul 2021

Holy Moses! (No need to desecrate this with any more words.)…

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Review of Stillwater (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 29 Jul 2021

As in life, what drives most of the drama in this overstuffed but often thought-provoking movie is a failure to communicate…

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Review of Stillwater (2021)

By Manohla Dargis (1,909) for The New York Times (9,847) on 29 Jul 2021

It’s clear that Damon and McCarthy have thought through this man in considered detail, from Bill’s plaid shirts to his tightly clenched…

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Review of Nine Days (2021)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 29 Jul 2021

When a movie doesn’t hold up to introspection as a whole, it’s best to examine its parts. And some of those are admirable…

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