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Review of Lorelei (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 01 Aug 2021

Schreiber and Malone leave it all on the set in this sad but wistful romance, a movie about teen dreams that lose all meaning if they’re…

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Review of The Last Mercenary (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 01 Aug 2021

You could call the film a slightly absurd corruption thriller, an action movie with not enough action, or a by-the-numbers father-son bonding…

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Review of The Suicide Squad (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 01 Aug 2021

The Suicide Squad has found its place in the superhero pantheon: the gutter, and proud…

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Review of Jungle Cruise (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 01 Aug 2021

Director Jaume Collet-Serra creates a romp of a picture booby-trapped with adventure movie tropes (arcane curses, snakes, evil Germans) which,…

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Review of Old (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 01 Aug 2021

If we can’t believe the characters, how are we meant to accept the film’s central premise…

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Review of Spirit Untamed (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 01 Aug 2021

Handsome animation adds to the appeal of this sequel to the 2002 animation Spirit: Stallion of the Cimarron, but this is family entertainment…

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Review of Limbo (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 01 Aug 2021

The poignancy and low-key desperation of the situation in which the men find themselves is balanced by the film’s warmth and gentle humour…

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Review of Limbo (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 01 Aug 2021

The poignancy and low-key desperation of the situation in which the men find themselves is balanced by the film’s warmth and gentle humour…

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Review of Enemies of the State (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 01 Aug 2021

Kennebeck’s handling of the labyrinthine narrative is commendable, particularly since the realigning she needs to do in the final act requires…

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Review of Jolt (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 01 Aug 2021

Written by Scott Wascha, the script is simultaneously crude, rude and whip-smart…

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Review of Bill & Ted Face the Music (2020)

By Imthenoob (1,101) on 01 Aug 2021

The movies have been so-so for the most part so I didn't go into this with high expectations…

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Review of Ride the Eagle (2021)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 01 Aug 2021

Good intentions aside, this sluggish film never soars beyond its innate contrivances and frequently flat, knee-jerk humor…

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Review of Hellbound: Hellraiser II (1988)

By Thequietgamer (1,082) on 01 Aug 2021

I feel like a bunch of random crap happens in this movie for no reason…

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Review of The Sparks Brothers (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 01 Aug 2021

From bucket-of-water tomfoolery to visually inventive biography and witty musicology, this really does have something for the girl with everything…

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Review of I Spit on Your Grave 2 (2013)

By Broyax (884) on 01 Aug 2021

Cette suite qui n’en est pas une remet le couvert avec quelques variantes mais surtout beaucoup d’incohérences… tellement d’incohérences…

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Review of Jungle Cruise (2021)

By Jim Slotek (879) for Original-Cin (1,156) on 01 Aug 2021

For the first two acts at least, Jungle Cruise is reasonably good fodder for a family outing, very much a theme park ride of the cinematic kind…

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Review of Enemies of the State (2021)

By Mike D'angelo (730) for The A.V. Club (5,644) on 01 Aug 2021

Over time, its perspective subtly mutates, even as its methodology remains exactly the same…

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Review of Jungle Cruise (2021)

By Matt Singer (625) for ScreenCrush (954) on 01 Aug 2021

When the world of a movie is so palpably fake, it’s hard for the people or the stakes to feel real…

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Review of Jungle Cruise (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 01 Aug 2021

With Johnson’s arrival, “Jungle Cruise” enters “Raiders of the Lost Ark” territory…

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Review of Sabaya (2021)

By Kimber Myers (423) for Los Angeles Times (12,977) on 01 Aug 2021

With Sabaya, we witness documentary filmmaking at its boldest; we find hope in seeing not only the triumphs of the Yazidi Home Center but also…

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