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Review of Captain Fantastic (2016)

By Gabrielmaier (1) on 06 Aug 2021

Um olhar desafiante às estruturas da vida. É também um filme cheio de amor. Viggo Mortensen interpreta um dos melhores pais do cinema…

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Review of Sunset Boulevard (1950)

By Michael Atkinson (678) for Village Voice (8,525) on 05 Aug 2021

What's not recognized enough is the indelible, self-sickened performance of William Holden as Desmond's boy-toy/hired hack…

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Review of Free Guy (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 05 Aug 2021

Whatever its loftier existential ambitions, Free Guy is never much more than big screen eye candy with Reynolds’ grinning deadpan anchoring…

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Review of Nine Days (2021)

By James Berardinelli (4,524) for ReelViews (4,523) on 05 Aug 2021

Although Oda’s debut offers glimpses of a potentially gifted director, the project feels unfinished and fails to match his impressive vision…

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Review of Free Guy (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 05 Aug 2021

Free Guy isn’t going to have many MA theses written about it, but it has entertainment value…

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Review of Vivo (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 05 Aug 2021

Through it all, the Latino-influenced ballads, dance numbers and hip-hop numbers infuse the story with great life, and how can anybody possibly…

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Review of Alive: Who Is There? (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 05 Aug 2021

Through it all, the Latino-influenced ballads, dance numbers and hip-hop numbers infuse the story with great life, and how can anybody possibly…

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Review of Annette (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 05 Aug 2021

Sparks and writer-director Leos Carax have teamed up to deliver a bold, original, avant-garde House of Broken Mirrors take on A Star Is Born…

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Review of The Suicide Squad (2021)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 05 Aug 2021

This one’s good! Also supergory, merrily heartless in its body count and its methods of slaughter. And funny…

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Review of Annette (2021)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 05 Aug 2021

Yes, the Frenchman Carax’s first film in English isn’t life-affirming so much as it is art-affirming…

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Review of Nine Days (2021)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 05 Aug 2021

The movie proceeds in quiet, reflective tones, subtly energized by a fully realized visual environment and a clever variety of editing rhythms…

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Review of Free Guy (2021)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 05 Aug 2021

If Free Guy really was a video game, it’s not one you’d play over and over. But as a one-time lark, it’s entertaining enough to invest in…

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Review of Annette (2021)

By A.o. Scott (2,100) for The New York Times (9,847) on 05 Aug 2021

Annette masters its own paradoxes. It’s a highly cerebral, formally complex film about unbridled emotion…

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Review of The Suicide Squad (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 05 Aug 2021

I don’t know if I’ll ever be a connoisseur of kill-shot comedy, but director James Gunn at least makes it somewhat palatable…

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Review of Annette (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 05 Aug 2021

Whatever else he ends up doing in his career, Adam Driver will always have Annette…

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Review of The Suicide Squad (2021)

By Manohla Dargis (1,909) for The New York Times (9,847) on 05 Aug 2021

The violence is the most consistently inventive part of the whole package, though it grows tiresome in its thudding repetition…

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Review of Bring Your Own Brigade (2021)

By Manohla Dargis (1,909) for The New York Times (9,847) on 05 Aug 2021

It’s a tough, smart, impressive movie, and one of its virtues is that Walker, a British transplant to Los Angeles, doesn’t seem to have…

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Review of Free Guy (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 05 Aug 2021

Reynolds’ boundless appeal, the frequently witty screenplay and expertly rendered technical aspects make the film enjoyable summer frivolity…

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Review of Swan Song (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 05 Aug 2021

Kier is unfailingly captivating in the film, which makes it all the more bothersome that the film itself doesn’t match him…

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Review of Free Guy (2021)

By Peter Debruge (1,557) for Variety (12,700) on 05 Aug 2021

Free Guy is a lot of fun, despite the fact that Levy and the screenwriters seem to be changing the rules as they go…

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