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Review of Zeros and Ones (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 19 Aug 2021

Zeros and Ones isn’t much of an entertaining sit — watching it feels like dusting off a cryptic artifact from a bygone civilization, its…

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Review of The Meaning of Hitler (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 19 Aug 2021

The Meaning of Hitler doesn’t have to make sense of this decade’s chaos to clarify just how much it remains vulnerable to the same complaisant…

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Review of I, Robot (2004)

By Imthenoob (1,101) on 19 Aug 2021

I really don't get the praise of this movie…

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Review of The Meaning of Hitler (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 19 Aug 2021

An intellectual inquiry with burning present-day resonance, The Meaning of Hitler is also a road trip through some of the darkest chapters…

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Review of Reminiscence (2021)

By Brian Lowry (913) for CNN (497) on 19 Aug 2021

Too many of the points the story earns for ambition get deducted for execution in this jumble of ideas…

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Review of Free Guy (2021)

By David Fear (910) for Rolling Stone (4,035) on 19 Aug 2021

Reynolds is like a puppy dog who moonlights as a male model, or maybe vice versa…

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Review of Reminiscence (2021)

By David Fear (910) for Rolling Stone (4,035) on 19 Aug 2021

Although Reminiscence doesn’t try to hide any inherent metaphors — what are most movies these days, really, but nostalgia machines, designed…

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Review of CODA (2021)

By David Fear (910) for Rolling Stone (4,035) on 19 Aug 2021

CODA knows how to work that conventional-to-a-fault indie feeling like a champ. You may exit smiling…

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Review of Coda (2021)

By David Fear (910) for Rolling Stone (4,035) on 19 Aug 2021

CODA knows how to work that conventional-to-a-fault indie feeling like a champ. You may exit smiling…

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Review of The Outsider (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 19 Aug 2021

What’s especially peculiar about the focus on Shulan is that, in other respects, The Outsider is an ensemble piece, distributing screen time…

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Review of The Outsider (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 19 Aug 2021

What’s especially peculiar about the focus on Shulan is that, in other respects, The Outsider is an ensemble piece, distributing screen time…

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Review of The Protégé (2021)

By Jesse Hassenger (800) for The A.V. Club (5,644) on 19 Aug 2021

Beyond considerable physical presence, Q brings touches of subtlety to a stock character; by the time she makes her eventual, inevitable reference…

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Review of Jakob's Wife (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 19 Aug 2021

Crampton and Fessenden’s easy, credible chemistry keeps up a steady baseline of bickering banter that’s charming throughout…

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Review of The Protégé (2021)

By Todd Gilchrist (762) for TheWrap (3,203) on 19 Aug 2021

Ultimately, Campbell’s film fails because it can’t decide whether to be cheeky escapism or a thoughtful character study, instead landing…

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Review of Reminiscence (2021)

By Simon Abrams (730) for TheWrap (3,203) on 19 Aug 2021

It’s hard to get lost in Cameron’s images or Joy’s workmanlike direction given how often they’re overwhelmed by her flashy dialogue…

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Review of Home on the Range (2004)

By Panchogul (602) on 19 Aug 2021

No es tan mala como la quieren hacer ver, la animación no tiene nada del otro mundo y por ese aspecto no pareciera que se trata de una película…

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Review of Habit (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 19 Aug 2021

Habit is so desperate to be edgy that it loops all the way back around to derivative, and wastes any potential Thorne might have brought to play…

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Review of PAW Patrol: The Movie (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 19 Aug 2021

PAW Patrol: The Movie is bigger and prettier than the TV show, but it's still PAW Patrol…

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Review of Habit (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 19 Aug 2021

Habit is so desperate to be edgy that it loops all the way back around to derivative, and wastes any potential Thorne might have brought to play…

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Review of The Night House (2021)

By Ian Freer (515) for Empire (3,446) on 19 Aug 2021

Although let down by muddled plotting, The Night House is a low-key, well-made thoughtful horror flick, excellently played by Rebecca Hall…

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