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Review of The Card Counter (2021)

By Oliver Jones (215) for Observer (1,042) on 10 Sep 2021

It’s not for everybody, and it’s far from perfect, but you’ll be hard-pressed to find a more thrillingly necessary use of the filmmaking…

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Review of Malignant (2021)

By Siddhant Adlakha (174) for Polygon (677) on 10 Sep 2021

Malignant is rarely scary, but its outlandish bits likely didn’t happen by accident — not when it culminates in scenes so ludicrously over…

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Review of The Voyeurs (2021)

By Ferdosa Abdi (130) for Screen Rant (892) on 10 Sep 2021

In The Voyeurs, writer-director Michael Mohan takes all the lessons of the truly wild erotic thrillers of the 1990s and brings them into the…

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Review of Queenpins (2021)

By Jen Chaney (126) for New York Magazine (Vulture) (3,519) on 10 Sep 2021

This film ultimately doesn’t reach its full potential in part because it can’t settle firmly enough on a vibe or viewpoint…

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Review of The Alpinist (2021)

By Isaac Feldberg (119) for RogerEbert.com (5,563) on 10 Sep 2021

Ultimately, Mortimer and Rosen’s film succeeds most as a sincere, wonderstruck tribute to a fellow climber…

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Review of Martyrs Lane (2022)

By Phil Hoad (110) for The Guardian (2,969) on 10 Sep 2021

The film coheres quietly, thanks in no small part to the two excellent child performances…

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Review of The Ice Road (2021)

By Bradmorgan (99) on 10 Sep 2021

A surprisingly exciting film with a broad build-up to the end of the story…

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Review of Kate (2021)

By Scott Campbell (94) for We Got This Covered (2,391) on 10 Sep 2021

Winstead is nothing short of fantastic in terms of both her physical and performative presence, but she could have really used a meatier journey…

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Review of Malignant (2021)

By Scott Campbell (94) for We Got This Covered (2,391) on 10 Sep 2021

Malignant is messy, chaotic, ridiculous and quite possibly the most insane movie you'll see this year, but James Wan doesn't just know that;…

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Review of The Last Duel (2021)

By Ben Croll (93) for IndieWire (3,631) on 10 Sep 2021

The Last Duel reveals itself as something all too rare on the current Hollywood field of battle: an intelligent and genuinely daring big budget…

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Review of Black Widow (2021)

By Icamporamil (86) on 10 Sep 2021

Llega un poco a destiempo, y se nota, tendría que haber salido hace 2 años, pero aún así sigue siendo un homenaje muy chulo al personaje…

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Review of Violet (2021)

By Johanna Schneller (84) for The Globe and Mail (Toronto) (4,018) on 10 Sep 2021

Munn’s exquisitely readable face, which cycles through emotional states with delicate flickers, is Bateman’s strongest asset…

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Review of The Last Duel (2021)

By Asher Luberto (79) for TheWrap (3,203) on 10 Sep 2021

Adapting Eric Jager’s 2004 non-fiction book with screenwriters Matt Damon, Ben Affleck and Nicole Holofcener, Scott spins a medieval yarn…

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Review of Sweet Girl (2021)

By Berik (76) on 10 Sep 2021

Sweet girl is an unofficial sequel to Terminator…

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Review of Language Lessons (2021)

By Yolanda Machado (67) for TheWrap (3,203) on 10 Sep 2021

Natalie Morales’ directorial debut Language Lessons creates a warmth that so often gets lost in these virtual meetings…

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Review of Escape Room: Tournament of Champions (2021)

By Snorkiss (67) on 10 Sep 2021

I wish I could've escaped watching this boring and bloodless PG-13 puzzle borefest - 1 star…

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Review of Dear Evan Hansen (2021)

By Marya E. Gates (65) for The Playlist (3,871) on 10 Sep 2021

Frankly, the musical, with music and lyrics by Benj Pasek and Justin Paul, and book by Steven Levenson, itself is where the fault lies…

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Review of Queenpins (2021)

By Tara Bennett (62) for IGN (1,013) on 10 Sep 2021

Queenpins works best when Kristen Bell and Kirby Howell-Baptiste are allowed to let their effortless chemistry be the focus…

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Review of A Night of Knowing Nothing (2022)

By Aparita Bhandari (53) for The Globe and Mail (Toronto) (4,018) on 10 Sep 2021

Right from its opening frame, there’s a lyrical, dreamlike quality to Payal Kapadia’s debut feature…

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Review of Memoria (2021)

By Chandler Levack (49) for The Globe and Mail (Toronto) (4,018) on 10 Sep 2021

It’s a beautiful work of cinematic concentration that’s purely Apichatpong…

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