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Review of The Guilty (2021)

By Peter Debruge (1,557) for Variety (12,700) on 10 Sep 2021

Gyllenhaal’s impressive, but The Guilty almost certainly would have been more effective if he’d dialed down the intensity a bit…

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Review of Malignant (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 10 Sep 2021

None of this is especially scary, but, if you’re patient, Wan delivers the kind of hilariously sick climax that only a sadist would spoil…

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Review of The Guilty (2021)

By Tim Grierson (1,482) for Screen Daily (1,021) on 10 Sep 2021

A claustrophobic thriller about a disgraced cop trying to undo his past mistakes over the course of one supremely stressful night, The Guilty…

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Review of Come from Away (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 10 Sep 2021

A musical about the aftermath of 9/11 may sound like an eat-your-vegetables chore, but Come From Away is as comforting—and as layered—as…

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Review of Small Engine Repair (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 10 Sep 2021

Small Engine Repair is little more than 103 minutes of a would-be provocation whose only real advantage is that it's ultimately too dopey to…

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Review of The Capote Tapes (2021)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 10 Sep 2021

This well-constructed film effectively highlights the key points of the Southern-born icon’s singular, often troubled life and proves a vivid,…

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Review of Respect (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 10 Sep 2021

What Respect does have going for it is Jennifer Hudson and some stirring musical sequences…

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Review of Herself (2020)

By Donald Clarke (1,051) for The Irish Times (483) on 10 Sep 2021

Dunne’s script, co-written with Malcolm Campbell, packs too much plot in its final 10 minutes, but it hits the emotional beats with gusto…

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Review of The Last Duel (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 10 Sep 2021

Ultimately, The Last Duel is the affecting story of one woman’s quiet heroism that requires you to wade through a lot of blustery accounts…

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Review of Kate (2021)

By Brian Lowry (913) for CNN (497) on 10 Sep 2021

Look, we get it, people are looking for new stuff to watch, mindless escapism included…

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Review of I'm Your Man (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 10 Sep 2021

Director Maria Schrader’s new sci-fi-tinged rom-com might be conventionally structured, but it is also smoothly crowd-pleasing work, tackling…

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Review of Night Raiders (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 10 Sep 2021

With Night Raiders, Goulet can confidently claim to be today’s most effective practitioner of Indigenous sci-fi, a subgenre in which time-tested…

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Review of Petite Maman (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 10 Sep 2021

Quiet and reverent, as if filmed entirely in hushed tones, Sciamma’s film is supremely confident in its every element…

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Review of Malignant (2021)

By William Bibbiani (788) for TheWrap (3,203) on 10 Sep 2021

Malignant might not hold up to scrutiny but by the time all its mysteries are revealed, it’s clear that it was never supposed to…

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Review of The Guilty (2021)

By Kate Erbland (681) for IndieWire (3,631) on 10 Sep 2021

If you’ve seen Moller’s The Guilty, well, you’ve basically seen Fuqua’s, but Gyllenhaal’s performance adds a go-for-broke turn that…

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Review of The Last Duel (2021)

By James Mottram (656) for Total Film (3,532) on 10 Sep 2021

Scott’s usual scope and scale meet unreliable narrators for a thought-provoking tale of systematic abuse. In a classy cast, Comer shines brightest…

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Review of Dear Evan Hansen (2021)

By Richard Lawson (539) for Vanity Fair (761) on 10 Sep 2021

As was true of the stage production, the Dear Evan Hansen film wants to have it both ways, to see the awful lie at the center of Evan’s message…

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Review of The Last Duel (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 10 Sep 2021

It’s really rather heartening that Affleck, Damon, and Driver are all on such good form in betraying their gender to this degree, as they…

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Review of Copshop (2021)

By Ian Freer (515) for Empire (3,446) on 10 Sep 2021

A simple, effective thriller, Copshop doubles down on pulpy, ’70s-styled fun…

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Review of Dear Evan Hansen (2021)

By Ian Freer (515) for Empire (3,446) on 10 Sep 2021

Dear Evan Hansen gives enjoyable, tuneful voice to important modern-day concerns but lacks the dramatic and cinematic chops to really take flight…

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