Browse Movie Reviews - Page 2,977 of 258,691

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Review of Death Becomes Her (1992)

By Filipeneto (856) on 15 Sep 2021

This is one of the best black comedies I know, even though it suffers from the transversal problems of black humor: it's caustic, it's irreverent,…

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Review of The Legend of Tarzan (2016)

By Filipeneto (856) on 15 Sep 2021

I'm not a fan of Tarzan, but I think there was a lack of a good movie to bring the character back to cinema after many years of absence…

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Review of Lethal Weapon 2 (1989)

By Filipeneto (856) on 15 Sep 2021

I really liked the first movie of the franchise and was very curious to see the rest…

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Review of Lethal Weapon (1987)

By Filipeneto (856) on 15 Sep 2021

This film is one of the most interesting action films of the Eighties and started a brief, but interesting, film franchise…

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Review of Kinsey (2004)

By Filipeneto (856) on 15 Sep 2021

Alfred Kinsey is still a little consensual figure today…

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Review of Cry Macho (2021)

By Ignatiy Vishnevetsky (836) for The A.V. Club (5,644) on 15 Sep 2021

The fact is that, as a movie, Cry Macho is slow and sometimes dull…

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Review of The Nowhere Inn (2021)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 15 Sep 2021

Early on, the self-deprecating stuff takes on a studied air, and in the final stretch, the filmmakers seem to think they can shock-cut and…

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Review of In the Heights (2021)

By Voodoo123 (536) on 15 Sep 2021

This was a great piece of art. Soundtrack is ace, cast do a fantastic job…

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Review of Cry Macho (2021)

By David Sims (534) for The Atlantic (1,046) on 15 Sep 2021

Cry Macho is almost like a Western paced at half speed, told with the deliberateness demanded by a 91-year-old movie star…

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Review of Everybody's Talking About Jamie (2021)

By Jake Coyle (526) for The Associated Press (882) on 15 Sep 2021

What’s most disappointing about the film, considering its origins, is just how distant anything like real life feels…

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Review of Everybody's Talking About Jamie (2021)

By Jake Coyle (526) for The Associated Press (882) on 15 Sep 2021

What’s most disappointing about the film, considering its origins, is just how distant anything like real life feels…

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Review of Cry Macho (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 15 Sep 2021

But Eastwood is undercut by the unbearably weak screenplay by Nick Schenk, who adapts a 1975 novel by N. Richard Nash…

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Review of The Eyes of Tammy Faye (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 15 Sep 2021

Showalter’s The Eyes of Tammy Faye, which credits the documentary as its inspiration, recreates some of the doc’s scenes almost verbatim…

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Review of Cry Macho (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 15 Sep 2021

Cry Macho is dogged by a slack pace and an inertness that overwhelms, scene after scene of nothing, not a funny line or a moving moment or…

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Review of The Eyes of Tammy Faye (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 15 Sep 2021

It treats the Bakkers as something between grotesques and simpletons, which does rather limit the biopic angle…

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Review of Titane (2021)

By Brad Wheeler (426) for The Globe and Mail (Toronto) (4,018) on 15 Sep 2021

French director Julia Ducournau, however, delivers a mindblower that keeps you guessing for all of the film’s excellent 108 minutes…

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Review of Last Night in Soho (2021)

By Brad Wheeler (426) for The Globe and Mail (Toronto) (4,018) on 15 Sep 2021

Though visually sumptuous and a bunch of fun early on, Edgar Wright’s take on sixties and seventies horror eventually devolves into unsatisfying…

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Review of Dashcam (2022)

By Kristy Puchko (422) for IGN (1,013) on 15 Sep 2021

Even if you loved Host, skip Dashcam, Rob Savage’s provocative but woefully shallow, ugly, and cruel follow-up…

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Review of Nightbooks (2021)

By Metacriticonur (388) on 15 Sep 2021

Bad [ bad ] adjective, worse, worst;(Slang) bad·der, bad·dest for 36. not good in any manner or degree…

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Review of Charlotte (2022)

By Kate Taylor (347) for The Globe and Mail (Toronto) (4,018) on 15 Sep 2021

Sometimes, the animators find an expressive style to match difficult content – a suicide, a mercy killing and several sex scenes – and…

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