Browse Movie Reviews - Page 2,970 of 258,691

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Review of Foxtrot (2017)

By Jluis_001 (2,242) on 16 Sep 2021

This film surprised and amazed me…

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Review of Naked Singularity (2021)

By Jluis_001 (2,242) on 16 Sep 2021

Perhaps John Boyega has in mind to star in movies that offer him a challenge as an actor, and in this case I can't really say bad things about…

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Review of The Dry (2021)

By Jluis_001 (2,242) on 16 Sep 2021

A surprising thriller starring a strong and intense Eric Bana. Well directed, and solid in terms of plot…

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Review of Respect (2021)

By Jluis_001 (2,242) on 16 Sep 2021

There are good biopics, and there are some very bad ones that only take advantage of the person's name and their life…

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Review of Disturbing the Peace (2020)

By Jluis_001 (2,242) on 16 Sep 2021

Guy Pearce is another actor who ended up like Nicolas Cage, Bruce Willis, John Travolta, and John Cusack…

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Review of Love Spreads (2021)

By Jluis_001 (2,242) on 16 Sep 2021

You can look up for any documentary on the making of an album of any group, band or solo artist of your choice, and it would be a hundred times…

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Review of Flashback (2021)

By Jluis_001 (2,242) on 16 Sep 2021

This will probably sound a bit strange, but even in the face of things the film does well, and that are merely interesting, Flashback never…

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Review of My Son (2021)

By Jluis_001 (2,242) on 16 Sep 2021

The flaws of this thriller are both its structure and the artifice of having James McAvoy leading the story and working the story without having…

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Review of My Son (2021)

By Jluis_001 (2,242) on 16 Sep 2021

The flaws of this thriller are both its structure and the artifice of having James McAvoy leading the story and working the story without having…

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Review of The Gateway (2021)

By Jluis_001 (2,242) on 16 Sep 2021

I've seen much worse things in productions of this level, so they're never surprising, especially since it has always been quite clear that…

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Review of Prey (2021)

By Jluis_001 (2,242) on 16 Sep 2021

This type of film shamelessly mocks the viewer, because it's more than clear that the creators know in advance what they're doing with their…

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Review of Cry Macho (2021)

By A.o. Scott (2,100) for The New York Times (9,847) on 16 Sep 2021

This one is something different — a deep cut for the die-hards, a hangout movie with nothing much to prove and just enough to say, with a…

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Review of The Eyes of Tammy Faye (2021)

By A.o. Scott (2,100) for The New York Times (9,847) on 16 Sep 2021

The Bakkers were many things to many people: appalling, inspiring, laughable, sad. This movie succeeds in making them dull…

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Review of Prisoners of the Ghostland (2021)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 16 Sep 2021

Prisoners of the Ghostland is less a movie than an environment — not always hospitable but distinctly bizarre…

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Review of The Card Counter (2021)

By Tvjerry (1,783) on 16 Sep 2021

Paul Schrader is known for writing intimate character studies about people on the periphery haunted by their past…

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Review of Blue Bayou (2021)

By Liam Lacey (1,725) for Original-Cin (1,156) on 16 Sep 2021

The praise for the film — a one-man show by a Korean-American filmmaker at a time of heightened anti-Asian racism and a focus on unjust immigration…

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Review of Cry Macho (2021)

By Liam Lacey (1,725) for Original-Cin (1,156) on 16 Sep 2021

What makes Cry Macho fascinating to watch, even in an uncomfortable high-wire act way, is Eastwood — stoop-shouldered, sometimes pausing…

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Review of Prisoners of the Ghostland (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 16 Sep 2021

Sono’s visuals, sizzlingly realized by the cinematographer Sohei Tanikawa, lack neither brio nor imagination…

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Review of Blue Bayou (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 16 Sep 2021

Beautifully relaxed family scenes help us forgive the ponderous direction…

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Review of The Eyes of Tammy Faye (2021)

By Dana Stevens (1,435) for Slate (2,081) on 16 Sep 2021

The movie seems to love its main character without bothering to understand her…

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