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Review of The Survivor (2022)

By Steve Pond (235) for TheWrap (3,203) on 17 Sep 2021

The Survivor needs to be an unpleasant movie to watch, because you don’t want to simply use Nazi atrocities to advance the plot…

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Review of The Survivor (2022)

By Steve Pond (235) for TheWrap (3,203) on 17 Sep 2021

The Survivor needs to be an unpleasant movie to watch, because you don’t want to simply use Nazi atrocities to advance the plot…

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Review of Montana Story (2022)

By Gregory Ellwood (229) for The Playlist (3,871) on 17 Sep 2021

It’s a subtle and poignant performance that makes you eager for Richardson to have an even bigger spotlight in he next endeavor…

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Review of Beba (2022)

By Charles Bramesco (223) for The Playlist (3,871) on 17 Sep 2021

Never lacking in earnestness or vigor, she nonetheless teeters over the lines separating introspection from navel-gazing and the raw from the…

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Review of Old Henry (2021)

By Sophie Monks Kaufman (221) for The Playlist (3,871) on 17 Sep 2021

Although there is much to admire on a technical and craft level, the absence of storytelling innovation gives Old Henry the sleepiness of a…

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Review of Boris Karloff: The Man Behind the Monster (2021)

By Dan Mecca (208) for The Film Stage (3,162) on 17 Sep 2021

Though the overall quality of the picture may leave a bit to be desired, this documentary serves as a necessary monument to a legend who never…

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Review of My Name Is Pauli Murray (2021)

By Jude Dry (205) for IndieWire (3,631) on 17 Sep 2021

My Name Is Pauli Murray balances Murray’s varied interests and causes with a deft hand, acknowledging their contributions to the women’s…

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Review of Everybody's Talking About Jamie (2021)

By Jude Dry (205) for IndieWire (3,631) on 17 Sep 2021

With its “Glee”-colored dance numbers and drag-lite drag scenes, Everybody’s Talking About Jamie just isn’t serving…

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Review of Everybody's Talking About Jamie (2021)

By Jude Dry (205) for IndieWire (3,631) on 17 Sep 2021

With its “Glee”-colored dance numbers and drag-lite drag scenes, Everybody’s Talking About Jamie just isn’t serving…

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Review of Cry Macho (2021)

By Stream2Bigscree (201) on 17 Sep 2021

Howdy, Streamers! Cry Macho premiered this week in theaters and on HBO Max, and we watched it on HBO Max…

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Review of Becoming Cousteau (2021)

By Kristen Lopez (178) for IndieWire (3,631) on 17 Sep 2021

Garbus takes the standard documentary route of examining Cousteau’s life from birth to death, and while individual elements of his life are…

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Review of Insomnia (2002)

By Aj_13 (170) on 17 Sep 2021

A quite good crime thriller, being the script and performances its strenghts…

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Review of Cry Macho (2021)

By Josh Spiegel (148) for Slashfilm (971) on 17 Sep 2021

It's now hard to imagine that Unforgiven felt very much like Eastwood closing the book on his Western era…

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Review of Lady of the Manor (2021)

By Angie Han (120) for The Hollywood Reporter (7,050) on 17 Sep 2021

The buddy comedy does a better job of betraying its filmmakers’ lack of imagination than it does conjuring any real laughs…

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Review of Best Sellers (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 17 Sep 2021

Though you can see its twists coming from a mile away, Caine and Plaza's oddball dynamic and Roessler's visually stimulating direction makes…

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Review of Cry Macho (2021)

By Matt Fowler (109) for IGN (1,013) on 17 Sep 2021

Cry Macho has spare moments of charm and tranquility, but mostly it's a dry and unfinished story that fails to hit even the most basic of Story…

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Review of Copshop (2021)

By Matt Fowler (109) for IGN (1,013) on 17 Sep 2021

Copshop is meaningfully and enjoyably derivative as a patchwork homage to '70s shoot-em-up cinema (even Spaghetti Westerns), but it never quite…

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Review of The Night House (2021)

By Bradmorgan (99) on 17 Sep 2021

A horror film that pays attention to the formation of the characters. The build-up starts slowly but you soon get the hang of it…

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Review of My Name Is Pauli Murray (2021)

By Sarah-Tai Black (68) for Los Angeles Times (12,977) on 17 Sep 2021

The research is there, certainly, but it is presented as if it were just that, without thought for the ways it could be presented in a more…

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Review of Blue Bayou (2021)

By Tara Bennett (62) for IGN (1,013) on 17 Sep 2021

Blue Bayou works as both an emotionally insightful character piece about a man looking for where he belongs, and as a brutal exposé of the…

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