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Review of LAMB (2021)

By Clint Worthington (295) for Consequence (296) on 04 Oct 2021

Lamb takes on the ominous, warning air of an old fable, the kind of pre-Grimm fairy tale meant to threaten the gullible with punishment for…

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Review of No Time to Die (2021)

By Dan Mecca (208) for The Film Stage (3,162) on 04 Oct 2021

If not necessarily the Craig era’s resounding victory lap some might wish, it’s still an exceptional time in a cinema, begging for the…

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Review of Hit the Road (2021)

By Diego Semerene (203) for Slant Magazine (8,298) on 04 Oct 2021

For too much of its running time, Panah Panahi’s film is untethered from any kind of captivating narrative purpose…

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Review of Lamb (2021)

By Keith Watson (196) for Slant Magazine (8,298) on 04 Oct 2021

Though eerie and quietly deadpan, the film circles its grab bag of themes for so long that it also becomes tedious…

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Review of LAMB (2021)

By Keith Watson (196) for Slant Magazine (8,298) on 04 Oct 2021

Though eerie and quietly deadpan, the film circles its grab bag of themes for so long that it also becomes tedious…

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Review of The Power of the Dog (2021)

By Siddhant Adlakha (174) for Observer (1,042) on 04 Oct 2021

With four great performances in tow, it unfurls a harrowing tale of pain turned outward and inward all at once, by turning cinematic myths…

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Review of No Time to Die (2021)

By Thom Ernst (141) for Original-Cin (1,156) on 04 Oct 2021

Some might find that No Time to Die, clocking in at just under three hours, is a long journey…

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Review of No Time to Die (2021)

By Martin Carr (79) for We Got This Covered (2,391) on 04 Oct 2021

As another era of James Bond is brought to close and speculation builds about the future of this franchise, this reinvention feels perfectly timed…

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Review of There's Someone Inside Your House (2021)

By Mark Hanson (70) for Slant Magazine (8,298) on 04 Oct 2021

The film feels like a missed opportunity to interrogate society’s fervent need to make pariahs out of people for their past mistakes…

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Review of The Many Saints of Newark (2021)

By Hannah Strong (63) for Little White Lies (3,136) on 04 Oct 2021

With a forgettable, borderline generic, plot and direction lacking flair and artistry, it’s not a disaster, it’s just a disappointment…

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Review of The Green Knight (2021)

By Hannah Strong (63) for Little White Lies (3,136) on 04 Oct 2021

Wild at heart, this quiet epic casts a lingering mystical spell, perfect to usher in the forthcoming autumn nights…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Brianna Zigler (58) for Paste Magazine (2,906) on 04 Oct 2021

The film becomes a wry showcase for the director’s evolution as a creative who has been refining an unparalleled style for over two decades,…

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Review of The Power of the Dog (2021)

By Brianna Zigler (58) for Paste Magazine (2,906) on 04 Oct 2021

It’s easy to find yourself so wrapped up in the austere unease of Campion’s first feature in over a decade that one might fully overlook…

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Review of There's Someone Inside Your House (2021)

By Jim Vorel (49) for Paste Magazine (2,906) on 04 Oct 2021

Unfortunately, There’s Someone Inside Your House is a considerably more rote endeavor in mass-market horror filmmaking—competently shot…

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Review of Venom: Let There Be Carnage (2021)

By Sarah Jane (34) for Austin Chronicle (7,653) on 04 Oct 2021

Venom: Let There be Crazy, Stupid Love isn’t a great movie, but it doesn’t matter because it’s just big, dumb, romantic fun…

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Review of The Alpinist (2021)

By Marina Ashioti (28) for Little White Lies (3,136) on 04 Oct 2021

It’s the enigma of Marc-André that makes this such a compelling documentary…

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Review of Oasis: Knebworth 1996 (2021)

By Lou Thomas (27) for Little White Lies (3,136) on 04 Oct 2021

One might question the need for yet another Oasis doc, but in this case the end the effort is justified, especially if you came of age to these…

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Review of Diana: The Musical (2021)

By Maureen Lee Lenker (21) for Entertainment Weekly (6,953) on 04 Oct 2021

If you want royal intrigue and insight, do yourself a favor and revisit Harry and Meghan's Oprah interview because Diana: The Musical is rather…

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Review of No Time to Die (2021)

By Phil Nobile Jr. (15) for Slashfilm (971) on 04 Oct 2021

The return of Madeleine Swann (Léa Seydoux) makes a strong case that extended continuity is an albatross around this franchise's neck…

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Review of Dune (1984)

By Topfpflanze (10) on 04 Oct 2021

Unfortunately, the film left me disoriented and unsatisfied…

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