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Review of Petite Maman (2021)

By Siddhant Adlakha (174) for Observer (1,042) on 07 Oct 2021

A poignant and moving coming-of-age story, and an example of the way cinema can make real both memories, without losing their bitter honesty,…

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Review of South of Heaven (2021)

By Craig D. Lindsey (161) for The A.V. Club (5,644) on 07 Oct 2021

Straight-faced and suspenseful at first, wacky and almost randomly nihilistic afterwards, South Of Heaven just doesn’t know what it wants to be…

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Review of Distancing Socially (2021)

By Natalia Winkelman (145) for The New York Times (9,847) on 07 Oct 2021

It’s fine that nothing major happens in this charmless quaran-com; it is concerning, however, that neither the audience nor the actors, sitting…

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Review of Star Wars: The Clone Wars (2008)

By Coregamer1408 (144) on 07 Oct 2021

Lets face Stars Wars has been a bumpy road since the prequels and driving of the cliff with the WTF sequels. Total first time watch in 2021…

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Review of The Manor (2021)

By Lena Wilson (121) for The New York Times (9,847) on 07 Oct 2021

Despite some flat cinematography and borderline goofy special effects, The Manor gives us a distinctive 70-year-old woman as its protagonist…

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Review of Madres (2021)

By Lena Wilson (121) for The New York Times (9,847) on 07 Oct 2021

A subdued score and some by-the-book camerawork can make this urgent story drag, but what it lacks in sting it makes up for with an original…

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Review of Knocking (2021)

By Martyn Conterio (121) for CineVue (2,163) on 07 Oct 2021

The horror in Knocking isn’t supernatural or down to mental illness: it’s societal…

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Review of The Manor (2021)

By Lena Wilson (121) for The New York Times (9,847) on 07 Oct 2021

Despite some flat cinematography and borderline goofy special effects, The Manor gives us a distinctive 70-year-old woman as its protagonist…

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Review of The Manor (2021)

By Phil Hoad (110) for The Guardian (2,969) on 07 Oct 2021

Director Axelle Carolyn maintains a pleasingly teasing rhythm so it’s a pity that, as the sprightly nursing-home gothic fun winds up, it…

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Review of Madres (2021)

By Phil Hoad (110) for The Guardian (2,969) on 07 Oct 2021

Madres never loses a strong underpinning of social conscience that seeps into director Ryan Zaragoza’s considered shots…

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Review of Convergence: Courage in a Crisis (2021)

By Phil Hoad (110) for The Guardian (2,969) on 07 Oct 2021

Even in terms of its attempted emotional cross-section of the pandemic, Convergence spreads its net too wide…

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Review of The Manor (2021)

By Phil Hoad (110) for The Guardian (2,969) on 07 Oct 2021

Director Axelle Carolyn maintains a pleasingly teasing rhythm so it’s a pity that, as the sprightly nursing-home gothic fun winds up, it…

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Review of Night Drive (2021)

By Phil Hoad (110) for The Guardian (2,969) on 07 Oct 2021

Night Drive doesn’t quite have enough time left to build on sharp interlocking performances by Dalah and Bowen and give their characters…

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Review of The Spine of Night (2021)

By Rafael Motamayor (108) for Observer (1,042) on 07 Oct 2021

The Spine of Night serves as an entertaining, action-heavy, gnarly throwback to the hyper-violent, high-fantasy rotoscoped animation of the…

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Review of Ascension (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 07 Oct 2021

This aestheticization of Chinese society doesn’t exactly sit well with this viewer: one wonders if this counts as a kind of tourism…

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Review of Jacinta (2021)

By Beatrice Loayza (94) for The New York Times (9,847) on 07 Oct 2021

This is not a happy story. The lucidity with which these subjects speak to their own mistakes and sorrows will leave you haunted…

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Review of Knocking (2021)

By Matthew Passantino (89) for Film Threat (5,156) on 07 Oct 2021

Kempff walks the fine line of being frustratingly vague and trusting the audience to grasp the film fully…

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Review of Knocking (2021)

By Joe Lipsett (87) for Consequence (296) on 07 Oct 2021

Knocking is an uneven film…

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Review of Lamb (2021)

By Trace Sauveur (69) for Austin Chronicle (7,653) on 07 Oct 2021

If you like your affected character dramas with a healthy dose of weird insanity, you may just find yourself head over hooves…

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Review of LAMB (2021)

By Trace Sauveur (69) for Austin Chronicle (7,653) on 07 Oct 2021

If you like your affected character dramas with a healthy dose of weird insanity, you may just find yourself head over hooves…

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