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Review of South of Heaven (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 12 Oct 2021

Perhaps that’s the point: selfish men do selfish things while the people they love pay the price. That’s a lesson…

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Review of Introducing, Selma Blair (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 12 Oct 2021

She’s normalizing disability, spearheading awareness, and fighting for self-acceptance…

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Review of The Last Duel (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 12 Oct 2021

By the time Marguerite’s chapter concludes, laying bare the wrenching source of the story’s tensions, The Last Duel will have you in the…

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Review of Antlers (2021)

By Todd Gilchrist (762) for TheWrap (3,203) on 12 Oct 2021

Committed performances by Keri Russell, Jesse Plemons and extraordinary young actor Jeremy T…

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Review of The Scary of Sixty-First (2021)

By Guy Lodge (731) for Variety (12,700) on 12 Oct 2021

A brash, gutsy, morbidly funny first feature from actor-filmmaker-podcaster Dasha Nekrasova, it runs on a premise that could have been written…

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Review of No Time to Die (2021)

By Moviemitch96 (552) on 12 Oct 2021

Well... Here it is. The end of an era…

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Review of Halloween Kills (2021)

By Brian Truitt (541) for USA Today (4,117) on 12 Oct 2021

In picking up exactly where the last one left off three years ago, Kills separates its two key main characters, and not for the better…

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Review of The Last Duel (2021)

By Jake Coyle (526) for The Associated Press (882) on 12 Oct 2021

The movie, written by Matt Damon, Ben Affleck and Nicole Holofcener, is not the tale of manly valor that it first appears…

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Review of Bergman Island (2021)

By Pat Padua (495) for Washington Post (9,851) on 12 Oct 2021

Bergman Island is a compelling, enchanting film that works both as a relationship drama and as a conversation between one generation of directors…

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Review of The Manor (2021)

By Katie Rife (451) for The A.V. Club (5,644) on 12 Oct 2021

As with most of the Welcome To The Blumhouse movies, The Manor has flaws that could probably be attributed to scant resources and a quick turnaround…

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Review of Madres (2021)

By Katie Rife (451) for The A.V. Club (5,644) on 12 Oct 2021

Didactic in its approach to the material—which, to be clear, is absolutely horrifying and very real—Madres has some good ideas, but it…

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Review of Black as Night (2021)

By Katie Rife (451) for The A.V. Club (5,644) on 12 Oct 2021

Black As Night is assembled in an uninspired YA style that only accentuates the weaknesses of its script, which is laden with stilted dialogue…

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Review of Bingo Hell (2021)

By Katie Rife (451) for The A.V. Club (5,644) on 12 Oct 2021

A sometimes clunky but always bold blend of social satire and delirious style…

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Review of The Manor (2021)

By Katie Rife (451) for The A.V. Club (5,644) on 12 Oct 2021

As with most of the Welcome To The Blumhouse movies, The Manor has flaws that could probably be attributed to scant resources and a quick turnaround…

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Review of Revolutionary Road (2008)

By Eva3Si0N (403) on 12 Oct 2021

The tie at Revolutionary Road is an excellent, magnificent cast, a well-transmitted historical era…

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Review of Bright: Samurai Soul (2021)

By Metacriticonur (388) on 12 Oct 2021

Bad [ bad ] adjective, worse, worst;(Slang) bad·der, bad·dest for 36. not good in any manner or degree…

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Review of Antlers (2021)

By Carlos Aguilar (278) for The Playlist (3,871) on 12 Oct 2021

Chunks of childhood trauma, a dash of the opioid crisis, a few drops of environmental distress, and Native American mythology swim together…

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Review of The Water Man (2020)

By Dogegamer2015 (242) on 12 Oct 2021

Es una nueva película familiar en Netflix; la trama es decente y las actuaciones son pasables; David Oyelowo tiene mucho potencial como director…

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Review of South of Heaven (2021)

By Jude Dry (205) for IndieWire (3,631) on 12 Oct 2021

The only bright spot about the odd timing of South of Heaven is that it’s so obviously a relic of pre-pandemic Hollywood, one that hopefully…

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Review of Parallel Mothers (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 12 Oct 2021

Particularly paired with Cruz’s knockout performance of a woman whose life endures the legacy left by the trauma of her family’s unresolved…

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