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Review of The Velvet Underground (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 13 Oct 2021

This is a dazzling film—not just one of Haynes' best, but possibly the one that his whole career, with all of its self-aware formal and historical…

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Review of Invisible Life (2019)

By Cath Clarke (570) for The Guardian (2,969) on 13 Oct 2021

The movie is saturated with emotion and colour, though its novelistic depth brings with it the slightly effortful running time of two hours…

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Review of The Last Duel (2021)

By Richard Lawson (539) for Vanity Fair (761) on 13 Oct 2021

The Last Duel is a surprising jumble, a motley assemblage of tones that often work in perverse harmony…

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Review of The Last Duel (2021)

By David Sims (534) for The Atlantic (1,046) on 13 Oct 2021

Scott has long made movies about how systems of power exist to serve only the powerful, from the faceless corporations of Alien to the indifferent…

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Review of The Last Duel (2021)

By Soren Andersen (496) for The Seattle Times (964) on 13 Oct 2021

Director Ridley Scott, who knows a thing or two about how to mount sweeping historical epics (see “Gladiator”), is in his element here…

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Review of Halloween Kills (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 13 Oct 2021

The big problem is that Halloween Kills is less of a sequel than a half-baked interlude before the finale…

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Review of Titane (2021)

By Alan Ng (404) for Film Threat (5,156) on 13 Oct 2021

The reason Titane works is director Ducournau and actors Lindon and Rousselle’s commitment to their characters and stories…

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Review of Operation Hyacinth (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 13 Oct 2021

Had this been made back in the 1940s, it would have fit nicely in the same genre as Detour or The Maltese Falcon…

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Review of Till Death (2021)

By Metacriticonur (388) on 13 Oct 2021

Bad [ bad ] adjective, worse, worst;(Slang) bad·der, bad·dest for 36. not good in any manner or degree…

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Review of Halloween Kills (2021)

By Derek Smith (382) for Slant Magazine (8,298) on 13 Oct 2021

As far as improvements go, Michael Myers’s revitalized brutality is arguably the only successful one that Halloween Kills makes…

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Review of Bergman Island (2021)

By Roxana Hadadi (336) for The A.V. Club (5,644) on 13 Oct 2021

In its strongest, most evocative scenes, Bergman Island feels like peering in someone else’s window, sensing an echo of your own experiences,…

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Review of The Velvet Underground (2021)

By Jocelyn Noveck (253) for The Associated Press (882) on 13 Oct 2021

Whatever your level of familiarity, Haynes’ doc — the first for this accomplished director — is so stylistically compelling, it doesn’t…

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Review of The Last Duel (2021)

By Thom Ernst (141) for Original-Cin (1,156) on 13 Oct 2021

Scott contrives a convincing resemblance to events leading up to the last court-sanctioned duel-to-the-death with a meticulous eye for specifics…

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Review of Lansky (2021)

By Bradley Gibson (126) for Film Threat (5,156) on 13 Oct 2021

Lanksy is a workman-like film with decent production values, but Rockaway is not Scorcese or Coppola…

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Review of The Velvet Underground (2021)

By Vikram Murthi (112) for The A.V. Club (5,644) on 13 Oct 2021

Haynes simply uses the tools at his disposal to get the job done…

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Review of The Harder They Fall (2021)

By Rafael Motamayor (108) for Observer (1,042) on 13 Oct 2021

The Harder They Fall may not be the second coming of the Western genre, but it is a highly entertaining film with inspired performances by…

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Review of Needle in a Timestack (2021)

By Mark Hanson (70) for Slant Magazine (8,298) on 13 Oct 2021

The film is too blinded by manufactured sentimentality to see the more compelling what-if scenario lying right in front of its eyes…

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Review of Knocking (2021)

By Rob Rector (46) for Film Threat (5,156) on 13 Oct 2021

It’s unfortunate that Knocking is so muddled as Milocco is thoroughly engaging…

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Review of Venom: Let There Be Carnage (2021)

By Rob Rector (46) for Film Threat (5,156) on 13 Oct 2021

If you bought into the messy magic of the first film, you will undoubtedly find much in which to revel with its successor…

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Review of Bingo Hell (2021)

By Michael Talbot-Haynes (42) for Film Threat (5,156) on 13 Oct 2021

Gigi Saul Guerrero is a Mexican director who works in Vancouver’s thriving female production-driven indie horror scene, as documented in…

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