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Review of Needle in a Timestack (2021)

By Josh Kupecki (255) for Austin Chronicle (7,653) on 14 Oct 2021

It’s the lack of tension, overlong running time, and ultimately mawkish message that makes Needle a nonstarter…

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Review of Knocking (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 14 Oct 2021

The feverish Knocking puts together a fittingly upsetting portrait of lonely instability through its simple premise, visually inventive first-time…

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Review of Son of Monarchs (2021)

By Gregory Ellwood (229) for The Playlist (3,871) on 14 Oct 2021

Gambis, who is both a director and a biologist, has crafted a piece of art that captivates as much as it informs…

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Review of Son of Monarchs (2021)

By Jude Dry (205) for IndieWire (3,631) on 14 Oct 2021

In Son of Monarchs, Gambis has mapped the butterflies’ migratory paths and genetic patterns onto Mendel’s search for belonging…

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Review of Luzzu (2021)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 14 Oct 2021

Naturalistic and a bit on-the-nose in spots, the film is also a moving tale of real-world strife — a sort of low-key, contemporary take on…

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Review of Introducing, Selma Blair (2021)

By Teo Bugbee (199) for The New York Times (9,847) on 14 Oct 2021

The greatest asset of the film is its ability to simulate the intimacy of disclosure, and Blair’s comfort with the camera — her actress-y…

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Review of Suzanna Andler (2021)

By Teo Bugbee (199) for The New York Times (9,847) on 14 Oct 2021

It’s a test of patience to watch these glass figurines discuss their romantic entanglements, the doll house on the Riviera that they will…

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Review of Bergman Island (2021)

By Karen Gordon (174) for Original-Cin (1,156) on 14 Oct 2021

It’s a lovely, intelligent movie that explores relationships, creativity, inspiration and the benefits of wrestling with the blank page…

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Review of Luzzu (2021)

By Matthew Anderson (173) for CineVue (2,163) on 14 Oct 2021

Luzzu is a slender, rather bleak but tough, rough-cut little jewel that deserves your time and attention…

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Review of Copshop (2021)

By Unclewillard (169) on 14 Oct 2021

Didn't have the pop of Smokin Aces and everyone was under utilized. So many good folks in this, but not enough plot to go around…

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Review of No Time to Die (2021)

By Moviecritic68 (160) on 14 Oct 2021

Film contained good stunts & intense action scenes. Probably would rate it 7.5…

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Review of The Last Duel (2021)

By Matthew Monagle (156) for Austin Chronicle (7,653) on 14 Oct 2021

The Last Duel is a thematic gold mine, one that sits nicely alongside some of Scott’s best work to date…

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Review of Luzzu (2021)

By Natalia Winkelman (145) for The New York Times (9,847) on 14 Oct 2021

Malta’s views are arresting, but the images Camilleri chooses would never be found in a travel brochure…

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Review of Luzzu (2021)

By Bradley Gibson (126) for Film Threat (5,156) on 14 Oct 2021

Camilleri captures the beauty of Malta in Luzzu…

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Review of Luzzu (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 14 Oct 2021

It's a heartbreaking, but clear-eyed look at the last gasp of a dying industry, and a man whose whole identity, whole livelihood gets shattered…

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Review of Hard Luck Love Song (2021)

By Jenny Nulf (101) for Austin Chronicle (7,653) on 14 Oct 2021

Based on the folky country song “Just Like Old Times” by Todd Snider, the film feels like a throwback to the heyday of Austin: eclectic…

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Review of Venom: Let There Be Carnage (2021)

By Ben Travis (84) for Empire (3,446) on 14 Oct 2021

There’s a little bit more polish this time, but for all the talented people involved, Let There Be Carnage still has the whiff of a turd…

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Review of Bergman Island (2021)

By Aurora Amidon (74) for Paste Magazine (2,906) on 14 Oct 2021

What begins as a straightforward story of two artists creating different projects ultimately turns into Hansen-Løve’s strongest argument…

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Review of Luzzu (2021)

By Ryan Lattanzio (73) for IndieWire (3,631) on 14 Oct 2021

Luzzu is beautifully shot, if at times emotionally restrained, in its centering around a man who’s occasionally hard to read…

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Review of Convergence: Courage in a Crisis (2021)

By Devika Girish (70) for The New York Times (9,847) on 14 Oct 2021

The critical edge of the film feels blunted by platitudes (“Opportunities are born from crises,” says Tedros Adhanom Ghebreyesus, the director-general…

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