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Review of Halloween Kills (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 14 Oct 2021

This film muddies its entire concept with a bizarre, unrefined commentary on mob mentality that is quite simply some of the worst material…

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Review of The Tender Bar (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 14 Oct 2021

When Clooney gets this cast riffing off each other in boozy hangout mode, the movie skips along surprisingly well for all its so-what-ishness…

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Review of Halloween Kills (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 14 Oct 2021

An indolent, narratively impoverished mess that substitutes corpses for characters and slogans for dialogue…

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Review of The Last Duel (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 14 Oct 2021

A willingness to subvert expectations is one reason this ungainly, ingenious and altogether fascinating collaboration works as well as it does…

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Review of Wheel of Fortune and Fantasy (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 14 Oct 2021

A poignant, sometimes piercing triptych of tales, each one predicated on chance encounters and romantic possibilities (the original Japanese…

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Review of The Alpinist (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 14 Oct 2021

A portrait of a man who, as one of his contemporaries remarked, feels almost too comfortable on the side of a mountain…

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Review of Convergence: Courage in a Crisis (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 14 Oct 2021

It’s a humanistic endeavor, essentially, out of which emerge memorable people doing heroic work in inglorious places…

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Review of The Velvet Underground (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 14 Oct 2021

The spiritual truth of Haynes’ spellbinding The Velvet Underground is that ultimately it’s about the thing that can’t be described, that…

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Review of Introducing, Selma Blair (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 14 Oct 2021

She may have a terrible co-star inside trying to upstage her, but with humor, strength and messy honesty, Blair makes a memorable case for…

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Review of Halloween Kills (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 14 Oct 2021

In trying to do too much, Halloween Kills ends up doing nothing at all, other than tarnishing this franchise’s good name…

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Review of Found (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 14 Oct 2021

For an adoptee, the notion of “family” is so much more complicated and layered than it might be for someone else, but what Found powerfully…

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Review of Freeland (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 14 Oct 2021

Freeland builds from its humble start to a wrenching conclusion, and eventually coalesces into a poignant, understated character study about…

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Review of Freeland (2021)

By Dennis Harvey (1,137) for Variety (12,700) on 14 Oct 2021

Where Freeland is an unadulterated success is in capturing the physical, psychological and spiritual space Devi inhabits…

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Review of The Mustangs: America's Wild Horses (2021)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 14 Oct 2021

Mustangs,” which was shot in California, Wyoming, Texas, Colorado and elsewhere, is a lovely, essential portrait that’s also a little dull…

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Review of Freeland (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 14 Oct 2021

There isn’t a false note in any of the film’s performances, and within its brief running time, writer-directors Mario Furloni and Kate…

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Review of Halloween Kills (2021)

By Brian Lowry (913) for CNN (497) on 14 Oct 2021

If the previous movie conjured a bit of excitement by eradicating everything that had transpired after the original, that sense of novelty…

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Review of The Last Duel (2021)

By Brian Lowry (913) for CNN (497) on 14 Oct 2021

A Rashomon-like tale that tells its story from different perspectives, this fact-based adaptation of Eric Jager's book is muddy, bloody and…

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Review of Halloween Kills (2021)

By David Fear (910) for Rolling Stone (4,035) on 14 Oct 2021

As with so many middle parts of proposed trilogies, Halloween Kills feels designed to get you from Point A to a future Point C…

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Review of Finding Neverland (2004)

By Filipeneto (856) on 14 Oct 2021

This film is not exactly a film about Peter Pan, but about its creator, the English playwright J. M. Barrie…

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Review of Prism (2021)

By Lisa Kennedy (833) for The New York Times (9,847) on 14 Oct 2021

Densely thoughtful, Prism has beautiful and poignant moments…

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