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Review of Learning to Live Together: The Return of Mad Dogs & Englishmen (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 22 Oct 2021

Here the now-elders seem delighted to make a joyful noise with the generations they influenced…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Liam Lacey (1,725) for Original-Cin (1,156) on 22 Oct 2021

Equal parts clever and annoying, Wes Anderson’s latest film is akin to being locked in a holding cell with a team of cellmates suffering…

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Review of Broadcast Signal Intrusion (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 22 Oct 2021

It’s a film with echoes of recent horror movies about obsession like Berberian Sound Studio and Censor but those movies, despite their flaws,…

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Review of No Future (2021)

By Tim Grierson (1,482) for Screen Daily (1,021) on 22 Oct 2021

This small-scale drama is sensitively rendered, examining two people who share a past that they’re only beginning to untangle, resulting…

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Review of Antlers (2021)

By Anton Bitel (1,340) for Little White Lies (3,136) on 22 Oct 2021

Antlers is a slippery, troubling film whose ambiguities, despite one heavy-handed piece of exposition, remain intact even as the film’s identity…

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Review of Becoming Cousteau (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 22 Oct 2021

Becoming Cousteau may not be as deep a journey as some would hope, but for having to chart a lot of years, it hits its points about passion,…

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Review of Suzanna Andler (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 22 Oct 2021

Jacquot pays tribute to his mentor and friend, by adapting Suzanna Andler less as the movie you want than as an intimate walk along that precipice…

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Review of Ron's Gone Wrong (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 22 Oct 2021

Ron’s Gone Wrong is an indictment of the invasive, insidious tactics of Big Tech, and of the ways we relinquish a little more of our privacy…

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Review of No Future (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 22 Oct 2021

Those willing to give No Future a chance will find it to be a fairly smart and realistic depiction of two people consumed by grief, guilt,…

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Review of Warning (2021)

By Dennis Harvey (1,137) for Variety (12,700) on 22 Oct 2021

This is sci-fi cinema of a relatively subtle, intriguing stripe, without the usual emphasis on fantastical or action imagery…

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Review of Warning (2021)

By Dennis Harvey (1,137) for Variety (12,700) on 22 Oct 2021

This is sci-fi cinema of a relatively subtle, intriguing stripe, without the usual emphasis on fantastical or action imagery…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 22 Oct 2021

The French Dispatch is a lovely, lovely thing. But it is as impossible to grasp as a handful of water…

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Review of Dear Evan Hansen (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 22 Oct 2021

Steven Levenson’s book is all about normalising common mental health issues…

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Review of No Future (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 22 Oct 2021

The drama around them too often lands rather neatly on the surface, saying exactly what it means, but through the unpredictability of its two…

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Review of Warning (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 22 Oct 2021

Together, these tales feel like the hangover at a wake for mankind…

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Review of Warning (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 22 Oct 2021

Together, these tales feel like the hangover at a wake for mankind…

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Review of Dune (2021)

By David Jenkins (910) for Little White Lies (3,136) on 22 Oct 2021

The important scenes are allowed to play out in a way that allows for a slower, more satisfying reveal of character motivation, as well as…

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Review of Anchorman: The Legend of Ron Burgundy (2004)

By Alejandro970 (859) on 22 Oct 2021

Based on real facts? I'm not sure…

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Review of The Boss Baby: Family Business (2021)

By Tara Brady (805) for The Irish Times (483) on 22 Oct 2021

We’ll say one thing for Boss Baby 2: its untidy, unpredictable, and unmannerly form does, indeed, evoke the exhausting, mucky business of…

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Review of Dune (2021)

By Tara Brady (805) for The Irish Times (483) on 22 Oct 2021

Has Denis Villeneuve succeeded where others – most notably Alejandro Jodorowsky – have floundered…

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