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Review of Little Fish (2021)

By Uatud3 (1) on 02 Nov 2021

Little fish is not perfect, but it uses its premise and cast to beautiful effect…

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Review of Happier Than Ever: A Love Letter to Los Angeles (2021)

By Happierthaneve (1) on 02 Nov 2021

AAAAAAAHHH, Billie and her brother didn't disappoints us, AS ALWAYS. THIS IS SO GOOD…

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Review of Last Night in Soho (2021)

By James Berardinelli (4,524) for ReelViews (4,523) on 01 Nov 2021

It’s almost worth seeing Last Night in Soho for the glorious heights of the first hour as Wright manipulates the visuals and acts like a…

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Review of A Mouthful of Air (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 01 Nov 2021

A Mouthful of Air makes it past those potential flaws on the strength of Seyfried’s performance…

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Review of Eternals (2021)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 01 Nov 2021

Eternals isn’t a bad movie. It’s just not a particularly satisfying one, its scale proving untamable, even for Zhao…

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Review of Last Night in Soho (2021)

By Rex Reed (1,506) for Observer (1,042) on 01 Nov 2021

Depraved, delirious, and downright stupid, Last Night in Soho is two hours of amateurish drivel by B-movie director Edgar Wright (Baby Driver,…

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Review of The Most Beautiful Boy in the World (2021)

By Rex Reed (1,506) for Observer (1,042) on 01 Nov 2021

A film five years in the making about the poisonous effects of movie fame on the young, this fascinating but dismally depressing Swedish documentary…

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Review of Last Night in Soho (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 01 Nov 2021

For all its scattershot reference points, however, Last Night in Soho still emerges as Wright’s most personal film – you can feel how much…

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Review of Last Night in Soho (2021)

By David Fear (910) for Rolling Stone (4,035) on 01 Nov 2021

The temptation is to wish that Wright had simply made a horror movie set in the Sixties, that he’d streamlined things a tad more and simply…

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Review of The Souvenir: Part II (2021)

By Richard Brody (868) for The New Yorker (1,837) on 01 Nov 2021

The entire construction of The Souvenir: Part II, the connection between its drama and Julie’s student film, reflects an earnest and principled,…

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Review of Last Night in Soho (2021)

By Richard Brody (868) for The New Yorker (1,837) on 01 Nov 2021

Unlike the films of such great modern stylists as Wes Anderson, Sofia Coppola, and the three Ter(r)ences—Davies, Malick, and Nance—Wright’s…

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Review of House of Usher (1960)

By Filipeneto (856) on 01 Nov 2021

A very interesting film, with good suspense premises and a Victorian environment that knows how to involve us…

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Review of Tesla (2020)

By Mauro_Lanari (665) on 01 Nov 2021

(Mauro Lanari) Compared to the 2017 biopic The Current War, Almereyda's Tesla is more challenging, almost arthouse cinema, as it aspires to…

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Review of Spencer (2021)

By Brian Truitt (541) for USA Today (4,117) on 01 Nov 2021

It’s a ghost story but also an underdog’s story, a fighter’s story, a mother’s story and, thanks to an Oscar-ready Stewart at the absolute…

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Review of Spencer (2021)

By Ian Freer (515) for Empire (3,446) on 01 Nov 2021

Though it doesn’t ever make you really feel, Spencer is a bold, compassionate, poetic riposte to standard royal biopics…

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Review of Blade: Trinity (2004)

By Gracjanski (417) on 01 Nov 2021

After not even one hour I could watch this movie anymore: so many embarrassing scenes with ultra cool characters, who are just kids…

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Review of Antlers (2021)

By Simran Hans (401) for The Observer (UK) (826) on 01 Nov 2021

It’s satisfyingly gross – there’s plenty of black bile, crunching bones and half-chewed bodies…

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Review of Azor (2021)

By Simran Hans (401) for The Observer (UK) (826) on 01 Nov 2021

As far as the plot is concerned, almost nothing happens, and yet Andreas Fontana’s sinewy debut teems with unseen threat…

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Review of Last Night in Soho (2021)

By Ginak (385) on 01 Nov 2021

A movie that stealthily creeps up on you as unpretentiously as the female lead and then turns out to be fantastic…

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Review of The Manor (2021)

By Jlau (377) on 01 Nov 2021

Woman in her 70s moves into a nursing home where other residents are having unexplained deaths and she's seeing a tree-person hovering over…

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