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Review of Finch (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 03 Nov 2021

But there’s not enough in “Finch” to sustain an audience’s interest for a full 115 minutes…

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Review of Night Teeth (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 03 Nov 2021

The dark-side-of-the-L.A.-club-scene premise has potential, but the movie turns out to be a cut-and-paste thriller without any night-world…

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Review of Becoming Cousteau (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 03 Nov 2021

Becoming Cousteau, Liz Garbus’s ardent and transporting documentary, is one of those movies that puts a life together so beautifully that…

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Review of Learning to Live Together: The Return of Mad Dogs & Englishmen (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 03 Nov 2021

It’s a performance film, a delectable slice of nostalgia, and a testament to how one gorgeously raucous rock ‘n’ roll moment can reverberate…

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Review of Spencer (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 03 Nov 2021

With the jazzy score by Jonny Greenwood setting the tone for the cacophony of sounds in Diana’s inner world, Spencer is an exquisitely designed,…

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Review of Eternals (2021)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 03 Nov 2021

This movie is more risk-prone than the majority of Marvel titles…

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Review of Eternals (2021)

By Peter Rainer (2,575) for Christian Science Monitor (3,788) on 03 Nov 2021

Even if Zhao and her co-screenwriters were more adept at establishing the family-style togetherness of the Eternals, the emotional continuity…

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Review of Finch (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 03 Nov 2021

The last thing you want to feel about the end of the world is that you’ve seen it all before…

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Review of Red Notice (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 03 Nov 2021

It has a certain clomping, smart-alecky entertainment value, wedded to the meta appeal of watching three A-listers juggle all the twists with…

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Review of Red Notice (2021)

By Alonso Duralde (1,351) for TheWrap (3,203) on 03 Nov 2021

Red Notice plays like a parody of itself — a star-studded, globe-trotting heist caper replete with MacGuffins, twists, and double-crosses…

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Review of Finch (2021)

By Alonso Duralde (1,351) for TheWrap (3,203) on 03 Nov 2021

Apart from the pleasurable specifics of Hanks’ and Landry Jones’ performances (to say nothing of Seamus, the film’s scene-stealing canine…

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Review of Red Notice (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Nov 2021

While the movie sometimes hides behind its own derivativeness in lieu of daring to play things straight — the references fly fast and furious…

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Review of Finch (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Nov 2021

A broadly safe film like “Finch” might roll into its destination with an ease that belies the risks of getting there, but sometimes the…

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Review of Mandy (2018)

By Thequietgamer (1,082) on 03 Nov 2021

Nicolas Cage has found himself in a very enviable position at this point in his career where he can star in films like this, Color Out of Space,…

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Review of Red Notice (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 03 Nov 2021

You can’t argue with the muscular marquee value of headlining Dwayne Johnson, Ryan Reynolds and Gal Gadot in a slick, fast-paced action thriller…

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Review of Finch (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 03 Nov 2021

There’s little that’s unpredictable in Miguel Sapochnik’s unabashedly sentimental sci-fi road movie, which could almost have been assembled…

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Review of Spencer (2021)

By Brian Lowry (913) for CNN (497) on 03 Nov 2021

It's possible to admire the performance and still come away feeling director Pablo Larrain's fictionalized movie doesn't significantly add…

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Review of Finch (2021)

By David Fear (910) for Rolling Stone (4,035) on 03 Nov 2021

The whole thing feels so stiflingly familiar that you wonder what has more spare parts, the robot or the movie it’s in…

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Review of Finch (2021)

By Chris Barsanti (896) for Slant Magazine (8,298) on 03 Nov 2021

The end of the world may never have had less impact than it does in Miguel Sapochnik’s Finch…

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Review of Spencer (2021)

By Jim Slotek (879) for Original-Cin (1,156) on 03 Nov 2021

The largely interior cinematography by Claire Mathon is stark, cold and beautiful, backed by a soundtrack that ranges from funereal chamber…

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