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Review of Belfast (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 12 Nov 2021

There’s only one trouble with his semi-autobiographical account…

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Review of Julia (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 12 Nov 2021

It shows us the woman in full, a fearless, joyous eccentric committed to carrying the oriflamme of French cuisine to the Jell-O-scarfing masses…

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Review of Home Sweet Home Alone (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 12 Nov 2021

As well-paced and cleverly deployed as all of the slapstick is here, it's hard to watch Jeff get slammed in the head or Pam step on Legos without…

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Review of Belfast (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 12 Nov 2021

It’s both intimate and almost comically egotistical—yet Branagh has clearly poured so much love into it that you can’t be too hard on…

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Review of Night Raiders (2021)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 12 Nov 2021

Although Goulet’s film is ultimately better at scene-setting than storytelling, the world she builds is a remarkably detailed, revealing…

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Review of The Harder They Fall (2021)

By Tvjerry (1,783) on 12 Nov 2021

The comparisons to Tarantino are inevitable: A revered genre re-imagined, copious casual violence and snarky dialogue…

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Review of What Do We See When We Look at the Sky? (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 12 Nov 2021

In the meantime, this movie means to make us notice the marvelous in the everyday, in much the way that a great James Schuyler poem does…

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Review of JFK Revisited: Through the Looking Glass (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 12 Nov 2021

JFK Revisited: Through the Looking Glass is an exhaustive and sometimes exhausting documentary, a film that can sometimes feel like it’s…

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Review of Passing (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 12 Nov 2021

It might have taken one actress to make a movie so reliant on others…

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Review of Passing (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 12 Nov 2021

It might have taken one actress to make a movie so reliant on others…

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Review of Cusp (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 12 Nov 2021

Like any good sunset, the beauty to be found in “Cusp” is in between the darkness and the light, in the almost imperceptible shades of…

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Review of Simple as Water (2021)

By Dennis Harvey (1,137) for Variety (12,700) on 12 Nov 2021

A graceful, touching sampler of dilemmas few viewers are likely to have experienced, even as they become ever-more-common reality for the less…

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Review of Simple as Water (2021)

By Michael Rechtshaffen (1,086) for Los Angeles Times (12,977) on 12 Nov 2021

An achingly poignant testament to the unwavering strength of parental and filial bonds…

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Review of tick, tick... BOOM! (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 12 Nov 2021

Lin-Manuel Miranda’s translation of the late Jonathan Larson’s semi-autobiographical musical, a cult hit off-Broadway in the early 1990s,…

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Review of Cry Macho (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 12 Nov 2021

Even those who find themselves unable to warm to Cry Macho will surely admit that the film’s presence in 21st century cinemas is a marvel…

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Review of 3212 Un-redacted (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 12 Nov 2021

The lack of labeling only raises questions, slightly marring what otherwise plays like a thorough, outraged exposé…

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Review of Sputnik (2020)

By Alejandro970 (859) on 12 Nov 2021

En lo que refiere a cine comercial, los rusos todavía tienen mucho que aprender…

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Review of Attica (2021)

By Brent_Marchant (762) on 12 Nov 2021

I'll come right to the point about this searing documentary -- it's a very difficult watch, even for those with steely tolerance and sensibilities…

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Review of Night Raiders (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 12 Nov 2021

I wanted to root for and care about the world of “Night Raiders,” but I never felt like Niska and her daughter said more about themselves…

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Review of Red Notice (2021)

By Mattbrady99 (654) on 12 Nov 2021

Apparently this is Netflix's biggest budget ever for a feature film…

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