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Review of Zeros and Ones (2021)

By Ignatiy Vishnevetsky (836) for The A.V. Club (5,644) on 17 Nov 2021

What Zeros And Ones conveys, in its shoestring terms, is the actual mood of a world of uncertainties…

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Review of Ghostbusters: Afterlife (2021)

By Tara Brady (805) for The Irish Times (483) on 17 Nov 2021

Afterlife is fine. It passes the time…

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Review of Zeros and Ones (2021)

By Chuck Bowen (756) for Slant Magazine (8,298) on 17 Nov 2021

Zeros and Ones is the unwelcome spectacle of a bad boy attempting to apologize for his badness…

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Review of The Power of the Dog (2021)

By Jake Coyle (526) for The Associated Press (882) on 17 Nov 2021

The Power of the Dog may in the end be more a twisty psychological thriller than a transcendent frontier epic…

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Review of Prayers for the Stolen (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 17 Nov 2021

Of all of the things Tatiana Huezo captures in Prayers for the Stolen, her first narrative feature, the terror of the night is most unnerving…

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Review of The Power of the Dog (2021)

By Katie Rife (451) for The A.V. Club (5,644) on 17 Nov 2021

The Power Of The Dog divulges its secrets in deliberate, measured fashion, growing richer with each new reveal…

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Review of The Power of the Dog (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 17 Nov 2021

Campion’s best-known films (the remarkable The Piano, 1993; The Portrait of a Lady, 1996) are not just set in the past but summon it up with…

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Review of Ghostbusters: Afterlife (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 17 Nov 2021

It has its moments, most of them owing to a quite-phenomenal Mckenna Grace,as a 12-year-old techno wiz, and Paul Rudd, as an easygoing science…

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Review of C'mon C'mon (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 17 Nov 2021

C’mon C’mon doesn’t really go anywhere in particular. It’s a meandering experience, but purposefully so…

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Review of King Richard (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 17 Nov 2021

There are, hopefully, still many stories left to be told about the phenom of the Williams sisters. But King Richard is a very good start…

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Review of 7 Prisoners (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 17 Nov 2021

It’s a film that is certainly a must-see, complex and emotionally devastating in its exploration of power and hierarchy…

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Review of tick, tick... BOOM! (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 17 Nov 2021

While Andrew Garfield gives a driven and kinetic performance as Larson, Tick, Tick… Boom! is messy, missing a distinct spark and emotional depth…

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Review of Petite Maman (2021)

By Helen O'hara (407) for Empire (3,446) on 17 Nov 2021

A story even more delicate and moving than Sciamma’s last effort, this takes an unusual and thoughtful look at girlhood, motherhood and friendship…

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Review of Prayers for the Stolen (2021)

By Bertobellamy (400) on 17 Nov 2021

Noche de Fuego is fiction through documentary: a heartbreaking inside look at what it means to be a woman at the mercy of violence…

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Review of Ghostbusters: Afterlife (2021)

By Rodrigo Perez (382) for The Playlist (3,871) on 17 Nov 2021

It’s a curious mix of contradictions, sentimental in its longing worship for “Ghostbusters” and yet cynical and manipulative in the way…

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Review of The Power of the Dog (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 17 Nov 2021

The game of wits between Phil and everyone else is a chilling one to watch, and it’s exactly the kind of end-of-the-year movie to finish…

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Review of Bruised (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 17 Nov 2021

Berry’s Bruised is a familiar comeback tale relying on the inner-city motifs of 1990s hood films to deliver a melodramatic, barely coherent…

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Review of Princess Mononoke (1997)

By Kai82 (336) on 17 Nov 2021

It is my favorite Studio Ghibli movie and I was lucky to be able to watch it in cinema…

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Review of Encanto (2021)

By Kevin Harley (322) for Total Film (3,532) on 17 Nov 2021

Recasting studio formula in fresh, dazzling shapes and shades, Encanto is high-tier modern Disney…

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Review of Blow Out (1981)

By Habibiehakim (321) on 17 Nov 2021

De Palma's can make a similar story with the same technique and it's still fantastic, Blow Out it's hell of a terrifying movie, De Palma's…

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