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Review of I Was a Simple Man (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 22 Nov 2021

A 100-minute spell of beauty and melancholy, intimate and grand in equal measure, a film that derives its power from the universality of its…

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Review of House of Gucci (2021)

By Chris Evangelista (306) for Slashfilm (971) on 22 Nov 2021

It's Lifestyles of the Rich and Clueless in Ridley Scott's House of Gucci, an odd duck of a film that wants to serve you both a scrumptious…

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Review of House of Gucci (2021)

By Clint Worthington (295) for Consequence (296) on 22 Nov 2021

By all means, watch it for Gaga doing The Most, or Leto pulling out the most eye-poppingly bad performance of the year with every falsetto…

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Review of The Feast (2021)

By Andrew Crump (271) for The Playlist (3,871) on 22 Nov 2021

There’s much to like about his work here. Just skip the canapes…

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Review of The Feast (2021)

By Andrew Crump (271) for The Playlist (3,871) on 22 Nov 2021

There’s much to like about his work here. Just skip the canapes…

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Review of The Summit of the Gods (2021)

By Andrew Crump (271) for The Playlist (3,871) on 22 Nov 2021

What Imbert has done here, some years down the line, may solidify The Summit of the Gods, a work of fiction, as one of the greatest Everest…

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Review of Drive My Car (2021)

By Phil De Semlyen (265) for Time Out (7,510) on 22 Nov 2021

What a clever, haunting way to show art’s power to articulate the hurt we find hard to express…

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Review of Home Sweet Home Alone (2021)

By Clarisse Loughrey (259) for The Independent (259) on 22 Nov 2021

No, the problem with Home Sweet Home Alone isn’t that it had the temerity to encroach on a holiday classic…

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Review of Ghostbusters: Afterlife (2021)

By Clarisse Loughrey (259) for The Independent (259) on 22 Nov 2021

Ghostbusters: Afterlife is simply the things you already knew and liked, but repeated with unearned gravitas…

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Review of Encanto (2021)

By Clarisse Loughrey (259) for The Independent (259) on 22 Nov 2021

Encanto bursts with colour and abstract flights of fantasy…

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Review of King Richard (2021)

By Clarisse Loughrey (259) for The Independent (259) on 22 Nov 2021

Who’s really at the wheel of Richard’s ambition? His love for his children or his own ego…

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Review of Boiling Point (2021)

By Alex Saveliev (258) for Film Threat (5,156) on 22 Nov 2021

This is one intensely-flavored meal that begs to be swallowed in a single bite. Compliments to the chef…

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Review of King Richard (2021)

By Josh Kupecki (255) for Austin Chronicle (7,653) on 22 Nov 2021

The interplay of setback and triumph of the sports film genre, here informed by both racial and socioeconomic concerns, is comfortably familiar,…

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Review of King Richard (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 22 Nov 2021

Though director Reinaldo Marcus Green finds winning performances away from his lead, the milquetoast script serves the tennis patriarch a soft…

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Review of My Sister's Keeper (2009)

By Dogegamer2015 (242) on 22 Nov 2021

Es un drama muy agradable y conmovedor; las actuaciones de Cameron Diaz y Abigail Breslin son excelentes…

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Review of House of Gucci (2021)

By Charles Bramesco (223) for The Playlist (3,871) on 22 Nov 2021

Considered as a star-text alone, the film is functionally enjoyable (and will inspire Halloween costumes for the next fifty years), but it’s…

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Review of The Power of the Dog (2021)

By Sophie Monks Kaufman (221) for Little White Lies (3,136) on 22 Nov 2021

In this, her first film centring male psychology after a career of female character studies, she makes observations about masculinity and power…

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Review of Sing 2 (2021)

By Drew Taylor (218) for The Playlist (3,871) on 22 Nov 2021

Sing 2 is like having a mainstream radio station on in the background. It’s enjoyable and not in the least bit challenging…

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Review of The Humans (2021)

By Keith Watson (196) for Slant Magazine (8,298) on 22 Nov 2021

Throughout The Humans, Stephen Karam orchestrates the highs and lows of a family reunion with Chekhovian subtlety…

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Review of Encanto (2021)

By Mark Kennedy (184) for The Associated Press (882) on 22 Nov 2021

It’s only appropriate that Encanto — fueled by eight original songs by Hamilton creator Lin-Manuel Miranda — turns into that most special…

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