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Review of No Time to Die (2021)

By Anticaio (1) on 23 Nov 2021

Filme cansativo e chato, sem muitas cenas de ação e poucas cenas do vilão principal…

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Review of House of Gucci (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 22 Nov 2021

Scott looked at all the sordid, unscrupulous and deadly goings-on that ended the Gucci family's days of running the ‘House of Gucci’ and…

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Review of tick, tick... BOOM! (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 22 Nov 2021

Miranda gives us a revised but affectionate, intimate and respectful adaptation of a stage show about one man’s deadline-obsessed creative…

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Review of Encanto (2021)

By James Berardinelli (4,524) for ReelViews (4,523) on 22 Nov 2021

The film is notable for continuing to expand the corporation’s reach into different cultures while displaying a welcome maturation of animation…

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Review of King Richard (2021)

By James Berardinelli (4,524) for ReelViews (4,523) on 22 Nov 2021

The movie as a whole isn’t about moments but a synthesis of all the factors that enriched the girls’ tennis DNA…

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Review of House of Gucci (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 22 Nov 2021

In the end, this is Lady Gaga’s film: her watchability suffuses the picture, an arrabbiata sauce of wit, scorn and style…

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Review of House of Gucci (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 22 Nov 2021

Scott is having a remarkable year. To be exact, he’s having a remarkable season…

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Review of House of Gucci (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 22 Nov 2021

House of Gucci is an icepick docudrama that has a great deal of fun with its grand roster of ambitious scoundrels, but it’s never less than…

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Review of House of Gucci (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 22 Nov 2021

Adam Driver (who has now played a French squire and an Italian fashion heir in consecutive Ridley Scott movies) and Lady Gaga have legit chemistry…

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Review of Encanto (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 22 Nov 2021

With crisp and assured direction from Byron Howard and Jared Bush (with lead screenwriter Charise Castro Smith co-directing), a bounty of catchy…

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Review of House of Gucci (2021)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 22 Nov 2021

We often take a talent like Scott’s for granted…

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Review of tick, tick... BOOM! (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 22 Nov 2021

Miranda, who starred as Larson in a theatrical performance of this play, directs the film with a deep understanding of the passion, struggle,…

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Review of C'mon C'mon (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 22 Nov 2021

Going into C’mon C’mon, you may think you know exactly what it’s going to be…

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Review of Ghostbusters: Afterlife (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 22 Nov 2021

Ghostbusters: Afterlife is less about zapping ghoulies than it is about Family, Reconnection and Forgiveness, which by now should be trademarked…

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Review of King Richard (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 22 Nov 2021

It’s one of those crowd-pleasing movies that doesn’t make you feel embarrassed to be part of the crowd—you feel buoyed rather than talked…

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Review of House of Gucci (2021)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 22 Nov 2021

Is it a good movie? It’s … a movie. That’s not the slight it sounds like…

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Review of House of Gucci (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 22 Nov 2021

Director Ridley Scott and cinematographer Dariusz Wolski lacquer things with the right sheen—and the outfits and hairstyles, if nothing else,…

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Review of Test Pattern (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 22 Nov 2021

If Test Pattern feels a bit unfinished by its end, it’s not because I wanted resolution—documenting the refusal of resolution seems to…

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Review of C'mon C'mon (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 22 Nov 2021

Johnny’s tentative dip into family life artfully captures the tedium, terror and confounding ecstasy of parenthood, but it more eloquently…

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Review of The Humans (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 22 Nov 2021

Like The Father last year, The Humans makes the set a character in itself: Karam has concocted a diabolically creaky duplex whose wonky corners…

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