Browse Movie Reviews - Page 2,627 of 258,691

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Review of All Quiet on the Western Front (1930)

By Kai82 (336) on 24 Nov 2021

A magnificent movie that captures the grim reality of war…

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Review of Resident Evil: Welcome to Raccoon City (2021)

By Chris Evangelista (306) for Slashfilm (971) on 24 Nov 2021

Whatever the flaws of the previous Resident Evil series, those films were never as dull as Raccoon City…

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Review of Drive My Car (2021)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 24 Nov 2021

A thoughtful and tearful ride in which the destination is a spiritual confrontation with oneself, Drive My Car devastates and comforts through…

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Review of King Richard (2021)

By Vince Mancini (256) for Uproxx (697) on 24 Nov 2021

King Richard is another kooky success story that never really interrogates what it means to be successful…

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Review of Bruised (2021)

By Vince Mancini (256) for Uproxx (697) on 24 Nov 2021

Halle Berry seems to have discovered that there are lots of stories in the world of MMA…

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Review of The Humans (2021)

By Jocelyn Noveck (253) for The Associated Press (882) on 24 Nov 2021

Karam is adapting his own Tony-winning work here, a play inspired by the 2007-2008 financial crisis…

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Review of The Summit of the Gods (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 24 Nov 2021

The Summit of the Gods’ complex storytelling and convincingly lovely vistas make its philosophical case well: Whether you’re risking it…

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Review of 8-Bit Christmas (2021)

By Calum Marsh (242) for The New York Times (9,847) on 24 Nov 2021

When it isn’t fawning over roller rinks, “Goonies” posters, and Casio watches, 8 Bit Christmas (streaming on HBO Max) is a warm and refreshingly…

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Review of Licorice Pizza (2021)

By Siddhant Adlakha (174) for Observer (1,042) on 24 Nov 2021

Licorice Pizza is the moment between the leap and the impact—the feeling of weightlessness even as you plummet…

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Review of House of Gucci (2021)

By Karen Gordon (174) for Original-Cin (1,156) on 24 Nov 2021

Unfortunately, despite these juicy elements, a star-studded cast, and a star director in Ridley Scott, House of Gucci is tepid and underwhelming…

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Review of Ghostbusters: Afterlife (2021)

By Lambo442 (171) on 24 Nov 2021

So much about this film is lazy or just doesn't make sense. The characters are shallow and its so unoriginal it's untrue…

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Review of Rosemary's Baby (1968)

By Aj_13 (170) on 24 Nov 2021

Another Polanski masterpiece. Macabre and haunting, brilliantly directed and acted. Last 20 minutes are masterful…

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Review of Tron (1982)

By Akshatmahajan (157) on 24 Nov 2021

Tron is a good thriller which is fun and thrilling to watch…

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Review of A Boy Called Christmas (2021)

By Natalia Winkelman (145) for The New York Times (9,847) on 24 Nov 2021

Magic abounds in A Boy Called Christmas, Netflix’s first prestige holiday movie of the season, but pulsing through this winning adventure…

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Review of The Princess Switch 3: Romancing the Star (2021)

By Ferdosa Abdi (130) for Screen Rant (892) on 24 Nov 2021

No matter how ridiculous the plot, and no matter how super Christmas-y these films get, Hudgens will remain the steadfast north star…

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Review of Bruised (2021)

By Matt Fowler (109) for IGN (1,013) on 24 Nov 2021

Bruised is a good outing for Halle Berry as a director, though a better reminder of her as a star…

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Review of Julia (2021)

By Jenny Nulf (101) for Austin Chronicle (7,653) on 24 Nov 2021

Julia is a thorough documentary, concise in a way that’s ideal for the casual couch surfer…

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Review of Writing with Fire (2021)

By Jenny Nulf (101) for Austin Chronicle (7,653) on 24 Nov 2021

Writing With Fire is at its best when emphasizing the barriers these women have to overcome daily to fulfill their desires to be journalists,…

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Review of The Unforgivable (2021)

By Johanna Schneller (84) for The Globe and Mail (Toronto) (4,018) on 24 Nov 2021

Drawn, taut and nearly silent, Bullock convincingly creates a shell of wariness and self-protection, and then gradually lets it crack…

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Review of tick, tick... BOOM! (2021)

By Aurora Amidon (74) for Paste Magazine (2,906) on 24 Nov 2021

A film jam-packed with melancholy, powerhouse performances, and told with a somber, realistic storytelling structure that is at first jarring…

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