Browse Movie Reviews - Page 258,530 of 258,691

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Review of Sorcerer (1977)

By Jack Kroll (152) for Newsweek (1,534) on 07 Feb 1990

William Friedkin's remake of the French thriller Wages of Fear represents an above-average effort by the director of The Exorcist—meaning…

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Review of Hamburger: The Motion Picture (1986)

By Walter Goodman (85) for The New York Times (9,847) on 07 Feb 1990

If the Food and Drug Administration labeled movies, the warning on ''Hamburger'' might be that it is likely to cause heartburn...The result…

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Review of Notorious (1946)

By Betsy Sharkey (695) for Los Angeles Times (12,977) on 05 Feb 1990

Through it all are the rhymes and the music, hugely enjoyable in their own right, and the long, large shadow of Biggie…

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Review of The Patsy (1964)

By Eric Henderson (366) for Slant Magazine (8,298) on 05 Feb 1990

The Patsy reflects a genuine affection for the artisans and jacks-of-all-trades that make careers like his possible…

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Review of Raging Bull (1980)

By Ben Walters (136) for Time Out (7,510) on 05 Feb 1990

The use of pop and opera and the black-and-white photography (by Michael Chapman) are exemplary, the actual boxing a compulsive dance of death…

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Review of The Money Pit (1986)

By Rob Dean (54) for The A.V. Club (5,644) on 04 Feb 1990

It’s not high art or sophisticated humor, but there are just enough clever turns in its physical comedy and insight into relationships to…

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Review of Cobra (1986)

By Paul Attanasio (217) for Washington Post (9,851) on 29 Jan 1990

Every aspect of this film is reprehensible…

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Review of The Crazies (1973)

By Gilbert Cruz (2) for Time (1,811) on 29 Jan 1990

Though it’s the townspeople who slowly fall victim to the epidemic, the white-suited, gas-masked military men are just as imposing as any…

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Review of The 39 Steps (1935)

By Chuck Bowen (756) for Slant Magazine (8,298) on 25 Jan 1990

Like Rear Window later on, this charming, masterfully made British spy adventure from 1935 is a sigh of doubt, perhaps even a cry of anguish,…

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Review of Get Carter (1971)

By Peter Schjeldahl (1) for The New York Times (9,847) on 23 Jan 1990

Its violence is so ghastly and unremitting and its view of the human condition is so perfectly vile that one would almost rather wash one's…

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Review of Say Anything... (1989)

By Caryn James (352) for The New York Times (9,847) on 21 Jan 1990

The predictable surface of Say Anything is constantly being cracked by characters who think and talk like real people and by John Cusack's…

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Review of A Chorus Line (1985)

By Jay Carr (837) for Boston Globe (6,852) on 19 Jan 1990

Richard Attenborough's direction achieves that balance of impersonality and brisk pacing we've come to recognize as professionalism, and he…

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Review of Withnail & I (1987)

By Xan Brooks (287) for The Guardian (2,969) on 18 Jan 1990

This is a ramshackle, exuberant affair, peppered with larger-than-life inhabitants, ludicrous scenes and quotable dialogue that have long since…

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Review of Hamburger Hill (1987)

By Rick Groen (1,350) for The Globe and Mail (Toronto) (4,018) on 15 Jan 1990

Part 2 seems even more like a Stallone vehicle than the first movie. I'm not even sure it's intended as a comedy…

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Review of Extreme Prejudice (1987)

By Lawrence Kilman (1) for The Associated Press (882) on 12 Jan 1990

But on the evidence of this twisted, high-tech Wild Bunch update, [Hill]'s still just the poor man's Sam Peckinpah…

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Review of American Ninja 2: The Confrontation (1987)

By Michael Wilmington (1,474) for Los Angeles Times (12,977) on 10 Jan 1990

Sam Firstenberg--a decent enough action director who's shepherded along three previous ninja movies--here has a story so preposterous that…

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Review of Pink Cadillac (1989)

By Dolores Barclay (29) for The Associated Press (882) on 10 Jan 1990

There's little that's new in the material, and nobody seems to have asked whether the emotional charge of blatant racism belongs in a lightweight…

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Review of Ferris Bueller's Day Off (1986)

By David Ansen (1,073) for Newsweek (1,534) on 07 Jan 1990

In this film [Hughes] has created a character who is every teen-ager's fantasy, but in the process he has lost some of the authenticity of…

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Review of The Running Man (1987)

By Michael Wilmington (1,474) for Los Angeles Times (12,977) on 07 Jan 1990

For the right audience, it'll be fun. It's for action movie fans with a taste for something off the beaten track -- but not too far…

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Review of Taxi Driver (1976)

By A.d. Murphy (21) for Variety (12,700) on 07 Jan 1990

It’s a powerful film, an excellent credit for Scorsese, and a terrific showcase for the versatility of star Robert De Niro…

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