Browse Movie Reviews - Page 258,479 of 258,691

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Review of The Princess Bride (1987)

By Michael Wilmington (1,474) for Los Angeles Times (12,977) on 20 Mar 1993

An effective comedy, an interesting bedtime tale, and one of the greatest date rentals of all time…

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Review of Unforgiven (1992)

By Jay Scott (240) for The Globe and Mail (Toronto) (4,018) on 20 Mar 1993

Each character in David Webb Peoples' dense, unexpectedly stately, non- violent script (the inevitable gore is employed sparingly) is treated…

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Review of Tremors (1990)

By Jay Carr (837) for Boston Globe (6,852) on 18 Mar 1993

While liberally dosing the action with humor, Underwood is able to preserve an undertone of genuine menace and substantial suspense…

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Review of The Secret Garden (1993)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 18 Mar 1993

The movie is earnest, heartfelt, and, for all its lavishness, rather plodding…

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Review of The Secret Garden (1994)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 18 Mar 1993

A crowd-pleaser, all right, but, for all its appeal, a naggingly sanctimonious one…

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Review of Stay Tuned (1992)

By Duane Byrge (235) for The Hollywood Reporter (7,050) on 17 Mar 1993

A cleverly plotted movie that offers ample opportunity for spoofing anything and everything that can be found on television…

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Review of RoboCop (1987)

By David Sterritt (1,643) for Christian Science Monitor (3,788) on 17 Mar 1993

The action is skillfully directed by Dutch filmmaker Paul Verhoeven, and there are many bursts of razor-sharp social satire…

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Review of Children of a Lesser God (1986)

By Jack Kroll (152) for Newsweek (1,534) on 16 Mar 1993

To appreciate Children of a Lesser God, you only have to imagine how it could have patronized the deaf by celebrating their pluck, or become…

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Review of Dracula (1979)

By Gary Arnold (279) for Washington Post (9,851) on 15 Mar 1993

What an elegantly seen Dracula this is, all shadows and blood and vapors and Frank Langella stalking through with the grace of a cat…

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Review of High Noon (1952)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 15 Mar 1993

Some of the results ring false, but the memorable theme song and some equally memorable character acting (by Thomas Mitchell and Lon Chaney…

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Review of Frankie and Johnny (1991)

By Jay Boyar (463) for Orlando Sentinel (1,594) on 12 Mar 1993

Frankie & Johnny does what any true romantic movie should: It makes the mysterious, push-and-pull alchemy of love seem, once again, worth the effort…

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Review of What Ever Happened to Baby Jane? (1962)

By David Parkinson (764) for Empire (3,446) on 12 Mar 1993

Sour as month-old milk and with a tang of off-screen animosity in its mouth, Robert Aldrich's melodrama is still hysterical in every sense…

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Review of The Jazz Singer (1927)

By Steve Daly (13) for Entertainment Weekly (6,953) on 11 Mar 1993

The plot is powerful because it’s so absurdly melodramatic…

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Review of Shag (1989)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 10 Mar 1993

It has a charm based on its innocence, its conviction, its pre-Beatles soundtrack and the big 1950s cars the kids drive around in…

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Review of Speedway (1968)

By Roger Ebert (5,190) for RogerEbert.com (5,563) on 10 Mar 1993

Speedway is pleasant, kind, polite, sweet and noble, and if the late show viewers of 1988 will not discover from it what American society was…

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Review of Lorenzo's Oil (1992)

By Jay Carr (837) for Boston Globe (6,852) on 09 Mar 1993

Miller's finely crafted, highly moving new film, seems meant as a new beginning, grounded in an entirely different kind of material and told…

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Review of Alice in Wonderland (1951)

By Elizabeth Weitzman (1,905) for New York Daily News (5,623) on 08 Mar 1993

It tends to get lost in its own delirium, which will enchant some and drive others bonkers…

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Review of A Room with a View (1986)

By Bill Cosford (281) for Miami Herald (3,319) on 07 Mar 1993

It's hard to believe A Room With a View cost so little; the costumes and sets are dazzling and the acting is superb--from two-time Oscar-winner…

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Review of Frantic (1988)

By Gene Siskel (446) for Chicago Tribune (6,211) on 04 Mar 1993

Ford`s character is disoriented from the very beginning of the movie, suffering from jet lag, and you can view the movie as one long tourist`s…

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Review of Deep Cover (1992)

By Duane Byrge (235) for The Hollywood Reporter (7,050) on 04 Mar 1993

Director Duke (A Rage in Harlem and countless TV work) rivets our attention with his tightly framed shots and crisp editing that intelligently…

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