Browse Movie Reviews - Page 258,307 of 258,691

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Review of Don't Tell Mom the Babysitter's Dead (1991)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 21 Jan 1999

Watching the movie made me think of those subteen career novels I used to read in grade school, with titles like Brent Jones, Boy Reporter…

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Review of Con Air (1997)

By David Ansen (1,073) for Newsweek (1,534) on 20 Jan 1999

The saving grace of Con Air is its sense of its own absurdity…

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Review of Crash (1996)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 20 Jan 1999

Crash is still creepy, still menacing, still hypnotic, and it is still dedicated, in its freaky way, to the ideal of eroticism, to just drifting…

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Review of Your Friends & Neighbors (1998)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 20 Jan 1999

The acting and writing is a cut above the ordinary…

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Review of Lone Wolf McQuade (1983)

By Bill Cosford (281) for Miami Herald (3,319) on 19 Jan 1999

As senseless violence goes, this is very senseless and very violent…

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Review of The Secret Garden (1993)

By Angie Errigo (463) for Empire (3,446) on 18 Jan 1999

With a great set designed by an Oscar winner as well as a cast that includes Maggie Smith and of course, based on a children's favourite, it's…

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Review of Patch Adams (1998)

By Angel Cohn (149) for TV Guide Magazine (2,375) on 17 Jan 1999

Williams isn't really playing Adams: He's once again playing himself, and the act is getting tired…

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Review of Friday the 13th (1980)

By Dave Kehr (1,442) for Chicago Reader (7,190) on 16 Jan 1999

The crude technique of director Sean Cunningham borrows whatever sophistication it has from Halloween's precise and elegant point-of-view shots…

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Review of Kundun (1997)

By Barbara Shulgasser (553) for San Francisco Examiner (1,621) on 16 Jan 1999

Martin Scorsese is certainly one of the great living movie directors. Sadly, this does not mean he can't make a mistake. Kundun is a mistake…

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Review of Death Wish 3 (1985)

By Michael Sauter (58) for Entertainment Weekly (6,953) on 15 Jan 1999

The preposterously Rambo-esque Death Wish 3 sends him to New York City’s bombed-out slums to mow down “creeps,” using machine guns and…

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Review of Adventures in Babysitting (1987)

By Chris Dafoe (5) for The Globe and Mail (Toronto) (4,018) on 15 Jan 1999

Chris Columbus weighs in adequately in his directorial debut, thanks to a fresh, solid lead performance from Elisabeth Shue…

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Review of A Good Man in Africa (1994)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 15 Jan 1999

Connery's charm and integrity make all his scenes worthwhile, and Lithgow's stiff-backed turn as the classic British imperialist is in good fun…

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Review of Boxing Helena (1993)

By Rita Kempley (781) for Washington Post (9,851) on 14 Jan 1999

A gruesome tale of obsessive love and mutilation, it's less a work of art, however, than a luridly stylish expression of female self-loathing...A…

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Review of The Bonfire of the Vanities (1990)

By Dave Kehr (1,442) for Chicago Tribune (6,211) on 14 Jan 1999

With its general spirit of tabloid scandalmongering and frequent cutaways to an oddly enhanced Melanie Griffith in scanty panties, the point…

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Review of Mercury Rising (1998)

By Steven Rea (1,872) for Philadelphia Inquirer (3,920) on 13 Jan 1999

An anemic time-waster you've seen before that fails to create tension or generate the suspense this genre cries out for…

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Review of Soapdish (1991)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 13 Jan 1999

If it doesn't work, it fails spectacularly, but it does work, and it succeeds in making its plot clear even though the basic story device is…

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Review of The Truman Show (1998)

By Keith Phipps (1,177) for The A.V. Club (5,644) on 12 Jan 1999

The film is unfortunately about little more than its potentially mind-boggling plot and structure…

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Review of Hudson Hawk (1991)

By Richard Schickel (546) for Time (1,811) on 11 Jan 1999

What director Lehmann has made is essentially a multi-million dollar cult movie with great effects, a witty script and some good performances,…

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Review of I Still Know What You Did Last Summer (1998)

By David Kehr (11) for New York Daily News (5,623) on 11 Jan 1999

Assembles the building blocks of idiot-proof slasher movies: Stings, Snicker-Snacks, false alarms and point-of-view baits-and-switches…

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Review of Funny Farm (1988)

By Johanna Steinmetz (72) for Chicago Tribune (6,211) on 11 Jan 1999

Director George Roy Hill shows little distinction with this material [from Jay Cronley’s book], but then again, the material here isn’t…

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